africa Archives – Conservation Music

Lesotho

Lesotho

Overview

 Often called “The Kingdom in the Sky,” or, “The Roof of Africa,” Lesotho is a landlocked country completely encased by South Africa. This mountainous kingdom is comprised primarily of highland plateaus, causing many villages to be isolated–reachable only by light aircraft, horseback, or on foot. The Kingdom of Lesotho has a population of 2.2 million people.

Arts and Humanities

 The people of Lesotho speak primarily Sesotho and English.  The Sesotho language has an extensive written body of literature as it was one of the earliest African languages to emerge in written form.  Thus, music, dance and literature are often combined in traditional Sotho performances.  These cultural productions often weave the retelling of ancient folktales with chanting, singing, clapping and high-kicking dances. Stringed instruments, whistles, rattles and drums are just some of the instruments that grace traditional Sotho performances.  

Environmental Conditions

 Lesotho is a developing country. Thus, the survival of its people is heavily reliant on its natural resources. The highlands that comprise most of Lesotho are environmentally harsh. As such, the lowlands of this alpine country have very limited agricultural space.  Lesotho is heavily dependent on South Africa.  The Lesotho Highlands Water Project (“LHWP”) was fully initiated in the 1990s.  The primary purpose of LHWP is to transfer water to South Africa.  Although proceeds from this project account for 75% of Lesotho’s budget, as a result of recent droughts, the country has seen its crops wither as its water is transported to South Africa.  Due to uncontrolled grazing and rushing surface water, much of Lesotho has been stripped of its natural grass cover. Desertification, soil erosion and soil exhaustion are major problems in Lesotho.  Additionally, unlike in South Africa, the game and wildlife indigenous to Lesotho is sparse.

Leadership

 Lesotho’s head of state is King Letsie III, but the monarch has no executive or legislative powers.  The prime minister of Lesotho is Pakalitha Mosisili I.  Mr. Mosisili’s Democratic Congress formed Lesotho’s second consecutive coalition government.

Media Profile

 Lesotho’s most popular entertainment medium is radio. Residents of Lesotho can receive domestic stations as well as TV and radio broadcasts from South Africa.  Radio Lesotho is the kingdom’s only national station.  However, commercial and private radio broadcasts are on air as well.  Media freedom is generally respected in Lesotho and private press is allowed to voice opposition views.  Of the 2.2 million residents of Lesotho, there were less than 84,000 internet users by December of 2011.

Our Lesotho Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Botswana

Botswana

Overview

 With a population of two million people, the Republic of Botswana is positioned in the center of Southern Africa.  It is situated in a sand-filled basin consisting of plains and gently sloping hills that rise into the highlands of its neighboring countries.  Botswana is lush with animal life and is home to more than 800 different species of mammals, birds, amphibians and reptiles.  Before its independence from British control in 1966, Botswana was one of the most undeveloped, poverty-stricken states in the world.  However, since gaining independence, the peace and prosperity of this republic has greatly increased.  Botswana is now internationally renowned as one of the most peaceful, stable democratic states in Africa.

Arts and Humanities

Currently, Tswana is Botswana’s dominant ethnic identity.  Although English is the official language of Botswana, Setswana is widely spoken in the republic.  The culture of Botswana is a mixture of Tswana and English heritage.  Traditional music in Botswana is largely based around stringed instruments.  Though interest in traditional music and dance declined in popularity during Botswana’s colonial period, it revived after the republic gained independence. This can especially be seen in music on the radio.   

Environmental Conditions

 Botswana’s climate is marked by months of dry weather.  The rainy season is limited to sporadic downpours in December through March. Botswana suffers from cyclic droughts which occur every two decades and frequently last up to six years. As such, very little soil is suitable for cultivation, harvests are often destroyed and livestock frequently die of starvation. Due to drought, the population of Botswana is entirely dependent on groundwater.  Although the use of groundwater eases the effects of drought, it has greatly harmed Botswana’s land. Drilling in order to retrieve groundwater is commonplace. Such drilling leads to harmful erosion and desertification.  Out of all Southern Africa, Botswana is one of the countries most severely affected by desertification in the Kalahari Region.  

Leadership

 Botswana’s government is a multi-party democracy. The republic has very little corruption and has a good record of defending human rights. Botswana’s current president is Sereetsi Khama Ian Khama.

Media Profile

 Radio is an important medium in Botswana as the circulation of media is limited outside the urban sectors of the country. Botswana has a tradition of unimpeded, public debate via radio.  In fact, the republic’s constitution provides for the freedom of expression–a freedom that is generally respected by the government.  Satellite pay TV is available in the republic along with the state-run Botswana Television (BTV). By 2011, there were about 167,000 internet users in Botswana.

Our Botswana Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Zambia

Overview

 The butterfly-shaped country of Zambia is perched on a high plateau in south-central Africa. This country is named after the Zambezi River, which winds through most of the land.  Zambia is dissected by swamps, river-valleys and lakes and is etched by the ancient crystalline rocks and that grace its plateaus.   

Arts and Humanities

 The major languages in Zambia are English (the official language), Bemba, Lozi, Nyanja and Tonga. The arts are a major part of Zambian culture as music, dancing and singing are often connected with security, health and prosperity.  Music is used in tribal rituals, celebrations and for entertainment. The most widely used musical instrument in Zambia is the drum.  Other popular instruments include, horns, bows, pipes, flutes, bells, rattles, xylophones and the kalimba, also known as the mbira, thumb piano, or African piano. 

Environmental Conditions

 The temperature of Zambia is generally favorable for human settlement and agriculture.  Two-fifths of Zambia is environmentally protected and the country is known for its large variety of mammals.  However, wildlife has been depleted in recent times due to human activities outside the parks and poaching within. For example, the Illegal poaching of horns and tusks has virtually eliminated rhinoceros from Zambia and has greatly reduced the number of elephants. As one of Africa’s most industrialized countries, Zambia suffers from air pollution and acid rain. Additionally, inadequate water-treatment facilities pose great health risks to citizens of this country, which has one of the fastest growing populations in the world.  Zambia currently has a population of 13 million, two-thirds of which live in poverty.

Leadership

 Unlike most of its neighbours, Zambia has remained relatively free of war and upheaval and has a reputation for political stability. In January of 2015, Edgar Lungu became the sixth president of Zambia and gained a new term in August of 2016. President Lungu’s greatest challenge has been Zambia’s poverty and a slowing economy.

Media Profile

 Radio is Zambia’s main source of information. State-run radio and television dominate the media sector in Zambia in terms of availability. However, private television and radio stations have grown in number and popularity in recent years.  In fact, according to BBC, there are currently “scores of local radio stations” in Zambia. By 2014, Zambia had 2.3 million internet users.

Our Zambia Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Angola

Angola

Overview

 Angola is a large, southwestern land with a population of 24.3 million people.  This vast country is home to a wide variety of landscapes–boasting semi-desert shores,  rugged southern highlands, bustling northern cities and a thinly populated rainforest interior.   Although Angola is one of the major producers of oil in Africa, it still bears the scars of a 27-year civil war that devastated the country after its independence.  

Arts and Humanities

The official language of Angola is Portuguese, but many Angolans speak Bantu languages along with Umbundu, Kimbundu and Kikongo.  Angolan culture is a mixture of Portuguese and African traditions and music has a central role in Angolan life. The drum is often highlighted in Angolan music. Other noteworthy instruments are the mpungu, a trumpet, and the hungu and mbulumbumba, types of gourd resonated with a musical bow.  Sadly, the civil unrest and resulting poverty that has ravaged Angola has provided little opportunities for musical professionals. In fact, the Ministry of Culture has had tight-fisted control over Angola’s production of commercial music since the country’s independence. However, despite these barriers, the informal sectors of musical expression have blossomed and flourished in Angola. Contemporary Angolan music weaves traditional African sounds with influences from Brazil, Cuba, the Caribbean and the United States.

Environmental Conditions

Angola is home to many species of fauna customarily found in Africa’s savanna lands, such as lions, elephants, and zebras, along with a rich variety of birds and reptiles. Until the late 1800s, portions of northern Angola were blanketed by a lush rainforest.  However, much of this rainforest has been drastically diminished by logging, agriculture and subsequent desertification. The country’s climate has a considerable dry season and its land is frequently afflicted by droughts, particularly in the south. As such, Two-thirds of Angola is now covered by savanna (scattered trees and grasslands) and deep deposits of infertile sands. Its biodiversity has been gravely threatened. Additionally, because of Angola’s inadequate infrastructure and swelling population, food and potable water are  scarce, particularly in rural areas.


Leadership

Angola has suffered a long history of political unrest.  After Portuguese colonial masters withdrew from Angola in 1975, rival independence movements fought for power up until 2002.  Decades-long separatist conflicts still simmer in Angola.  Abuses against civilians have been alleged by human rights groups. Jose Eduardo dos Santos has been in power in Angola since 1979. President dos Santos has a strict control over all aspects of political life in Angola.

Media Profile

The internet has become the primary medium for expression in Angola and in 2014, there were 4.3 million internet users. However, In 2015, President dos Santos called for stricter regulation of social media to crack down on political activism and dissent. Radio is now the most influential form of media outside the capital of Angola, but, the state controls all media nationwide. The state-run Radio Nacional de Angola (“RNA”) is the only radio station that offers programs in indigenous languages. Although RNA is the only broadcaster that has almost national coverage, private stations operate in cities and the Angolan constitution provides for the freedom of expression.

Our Angola Portfolio

Coming soon… “Natureza” by Banda Progresso, brought to you by the National Geographic Okavango Wilderness Project.

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Swaziland

Swaziland

Overview

 The Kingdom of eSwatini is home to 1.2 million people and has the highest HIV rate in the world. It is a landlocked kingdom in the eastern part of Southern Africa.  eSwatini is adorned by rugged mountains, river valleys, rolling uplands, high plateaus and African savannah.

Arts and Humanities

Most of the inhabitants of eSwatini reside in the countryside, lead traditional lifestyles and speak English and/or Swati. Most Swati ceremonies incorporate dancing, music and song. Most traditional instruments are simple in design. Popular instruments include the kudu horn, reed flute, rattles made of seedpods and attached to wrists and ankles and a calabash attached to a bow.

Environmental Conditions

eSwatini’s climate is mostly subtropical. Savannah, grassland and forests comprise the natural vegetation of this kingdom. eSwatini is abounding in flora and is home to over 2,600 species of flowering plants. However, the natural fauna of eSwatini has been severely diminished due to a growing human population and resulting habitat destruction. As such, mammals such as elephants, hippopotamus, antelope, rhinoceros, giraffe and zebra can only be found primarily in protected reserves.    


Leadership

Swaziland is one of the last absolute monarchies in the world. King Mswati, III became king in 1986.  King Mswati is known as “the lion” and often appears in traditional dress when in public. The King has often been criticised for using public funding for personal palaces and cars, especially as Swaziland’s economy falters.

Media Profile

The state has a tight-fisted control over the media and the broadcasting scene is dominated by government-run outlets. Freedom of expression is severely restricted. Journalists are frequently attacked and threatened by authorities. Although the government does not restrict internet access, few Swatis can afford to go online. In December 2011, there were only a little more than 95,000 internet users. However, South African media is accessible in eSwatini.

Our eSwatini Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

sadc Archives – Conservation Music

Lesotho

Lesotho

Overview

 Often called “The Kingdom in the Sky,” or, “The Roof of Africa,” Lesotho is a landlocked country completely encased by South Africa. This mountainous kingdom is comprised primarily of highland plateaus, causing many villages to be isolated–reachable only by light aircraft, horseback, or on foot. The Kingdom of Lesotho has a population of 2.2 million people.

Arts and Humanities

 The people of Lesotho speak primarily Sesotho and English.  The Sesotho language has an extensive written body of literature as it was one of the earliest African languages to emerge in written form.  Thus, music, dance and literature are often combined in traditional Sotho performances.  These cultural productions often weave the retelling of ancient folktales with chanting, singing, clapping and high-kicking dances. Stringed instruments, whistles, rattles and drums are just some of the instruments that grace traditional Sotho performances.  

Environmental Conditions

 Lesotho is a developing country. Thus, the survival of its people is heavily reliant on its natural resources. The highlands that comprise most of Lesotho are environmentally harsh. As such, the lowlands of this alpine country have very limited agricultural space.  Lesotho is heavily dependent on South Africa.  The Lesotho Highlands Water Project (“LHWP”) was fully initiated in the 1990s.  The primary purpose of LHWP is to transfer water to South Africa.  Although proceeds from this project account for 75% of Lesotho’s budget, as a result of recent droughts, the country has seen its crops wither as its water is transported to South Africa.  Due to uncontrolled grazing and rushing surface water, much of Lesotho has been stripped of its natural grass cover. Desertification, soil erosion and soil exhaustion are major problems in Lesotho.  Additionally, unlike in South Africa, the game and wildlife indigenous to Lesotho is sparse.

Leadership

 Lesotho’s head of state is King Letsie III, but the monarch has no executive or legislative powers.  The prime minister of Lesotho is Pakalitha Mosisili I.  Mr. Mosisili’s Democratic Congress formed Lesotho’s second consecutive coalition government.

Media Profile

 Lesotho’s most popular entertainment medium is radio. Residents of Lesotho can receive domestic stations as well as TV and radio broadcasts from South Africa.  Radio Lesotho is the kingdom’s only national station.  However, commercial and private radio broadcasts are on air as well.  Media freedom is generally respected in Lesotho and private press is allowed to voice opposition views.  Of the 2.2 million residents of Lesotho, there were less than 84,000 internet users by December of 2011.

Our Lesotho Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Botswana

Botswana

Overview

 With a population of two million people, the Republic of Botswana is positioned in the center of Southern Africa.  It is situated in a sand-filled basin consisting of plains and gently sloping hills that rise into the highlands of its neighboring countries.  Botswana is lush with animal life and is home to more than 800 different species of mammals, birds, amphibians and reptiles.  Before its independence from British control in 1966, Botswana was one of the most undeveloped, poverty-stricken states in the world.  However, since gaining independence, the peace and prosperity of this republic has greatly increased.  Botswana is now internationally renowned as one of the most peaceful, stable democratic states in Africa.

Arts and Humanities

Currently, Tswana is Botswana’s dominant ethnic identity.  Although English is the official language of Botswana, Setswana is widely spoken in the republic.  The culture of Botswana is a mixture of Tswana and English heritage.  Traditional music in Botswana is largely based around stringed instruments.  Though interest in traditional music and dance declined in popularity during Botswana’s colonial period, it revived after the republic gained independence. This can especially be seen in music on the radio.   

Environmental Conditions

 Botswana’s climate is marked by months of dry weather.  The rainy season is limited to sporadic downpours in December through March. Botswana suffers from cyclic droughts which occur every two decades and frequently last up to six years. As such, very little soil is suitable for cultivation, harvests are often destroyed and livestock frequently die of starvation. Due to drought, the population of Botswana is entirely dependent on groundwater.  Although the use of groundwater eases the effects of drought, it has greatly harmed Botswana’s land. Drilling in order to retrieve groundwater is commonplace. Such drilling leads to harmful erosion and desertification.  Out of all Southern Africa, Botswana is one of the countries most severely affected by desertification in the Kalahari Region.  

Leadership

 Botswana’s government is a multi-party democracy. The republic has very little corruption and has a good record of defending human rights. Botswana’s current president is Sereetsi Khama Ian Khama.

Media Profile

 Radio is an important medium in Botswana as the circulation of media is limited outside the urban sectors of the country. Botswana has a tradition of unimpeded, public debate via radio.  In fact, the republic’s constitution provides for the freedom of expression–a freedom that is generally respected by the government.  Satellite pay TV is available in the republic along with the state-run Botswana Television (BTV). By 2011, there were about 167,000 internet users in Botswana.

Our Botswana Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Zambia

Overview

 The butterfly-shaped country of Zambia is perched on a high plateau in south-central Africa. This country is named after the Zambezi River, which winds through most of the land.  Zambia is dissected by swamps, river-valleys and lakes and is etched by the ancient crystalline rocks and that grace its plateaus.   

Arts and Humanities

 The major languages in Zambia are English (the official language), Bemba, Lozi, Nyanja and Tonga. The arts are a major part of Zambian culture as music, dancing and singing are often connected with security, health and prosperity.  Music is used in tribal rituals, celebrations and for entertainment. The most widely used musical instrument in Zambia is the drum.  Other popular instruments include, horns, bows, pipes, flutes, bells, rattles, xylophones and the kalimba, also known as the mbira, thumb piano, or African piano. 

Environmental Conditions

 The temperature of Zambia is generally favorable for human settlement and agriculture.  Two-fifths of Zambia is environmentally protected and the country is known for its large variety of mammals.  However, wildlife has been depleted in recent times due to human activities outside the parks and poaching within. For example, the Illegal poaching of horns and tusks has virtually eliminated rhinoceros from Zambia and has greatly reduced the number of elephants. As one of Africa’s most industrialized countries, Zambia suffers from air pollution and acid rain. Additionally, inadequate water-treatment facilities pose great health risks to citizens of this country, which has one of the fastest growing populations in the world.  Zambia currently has a population of 13 million, two-thirds of which live in poverty.

Leadership

 Unlike most of its neighbours, Zambia has remained relatively free of war and upheaval and has a reputation for political stability. In January of 2015, Edgar Lungu became the sixth president of Zambia and gained a new term in August of 2016. President Lungu’s greatest challenge has been Zambia’s poverty and a slowing economy.

Media Profile

 Radio is Zambia’s main source of information. State-run radio and television dominate the media sector in Zambia in terms of availability. However, private television and radio stations have grown in number and popularity in recent years.  In fact, according to BBC, there are currently “scores of local radio stations” in Zambia. By 2014, Zambia had 2.3 million internet users.

Our Zambia Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Angola

Angola

Overview

 Angola is a large, southwestern land with a population of 24.3 million people.  This vast country is home to a wide variety of landscapes–boasting semi-desert shores,  rugged southern highlands, bustling northern cities and a thinly populated rainforest interior.   Although Angola is one of the major producers of oil in Africa, it still bears the scars of a 27-year civil war that devastated the country after its independence.  

Arts and Humanities

The official language of Angola is Portuguese, but many Angolans speak Bantu languages along with Umbundu, Kimbundu and Kikongo.  Angolan culture is a mixture of Portuguese and African traditions and music has a central role in Angolan life. The drum is often highlighted in Angolan music. Other noteworthy instruments are the mpungu, a trumpet, and the hungu and mbulumbumba, types of gourd resonated with a musical bow.  Sadly, the civil unrest and resulting poverty that has ravaged Angola has provided little opportunities for musical professionals. In fact, the Ministry of Culture has had tight-fisted control over Angola’s production of commercial music since the country’s independence. However, despite these barriers, the informal sectors of musical expression have blossomed and flourished in Angola. Contemporary Angolan music weaves traditional African sounds with influences from Brazil, Cuba, the Caribbean and the United States.

Environmental Conditions

Angola is home to many species of fauna customarily found in Africa’s savanna lands, such as lions, elephants, and zebras, along with a rich variety of birds and reptiles. Until the late 1800s, portions of northern Angola were blanketed by a lush rainforest.  However, much of this rainforest has been drastically diminished by logging, agriculture and subsequent desertification. The country’s climate has a considerable dry season and its land is frequently afflicted by droughts, particularly in the south. As such, Two-thirds of Angola is now covered by savanna (scattered trees and grasslands) and deep deposits of infertile sands. Its biodiversity has been gravely threatened. Additionally, because of Angola’s inadequate infrastructure and swelling population, food and potable water are  scarce, particularly in rural areas.


Leadership

Angola has suffered a long history of political unrest.  After Portuguese colonial masters withdrew from Angola in 1975, rival independence movements fought for power up until 2002.  Decades-long separatist conflicts still simmer in Angola.  Abuses against civilians have been alleged by human rights groups. Jose Eduardo dos Santos has been in power in Angola since 1979. President dos Santos has a strict control over all aspects of political life in Angola.

Media Profile

The internet has become the primary medium for expression in Angola and in 2014, there were 4.3 million internet users. However, In 2015, President dos Santos called for stricter regulation of social media to crack down on political activism and dissent. Radio is now the most influential form of media outside the capital of Angola, but, the state controls all media nationwide. The state-run Radio Nacional de Angola (“RNA”) is the only radio station that offers programs in indigenous languages. Although RNA is the only broadcaster that has almost national coverage, private stations operate in cities and the Angolan constitution provides for the freedom of expression.

Our Angola Portfolio

Coming soon… “Natureza” by Banda Progresso, brought to you by the National Geographic Okavango Wilderness Project.

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Swaziland

Swaziland

Overview

 The Kingdom of eSwatini is home to 1.2 million people and has the highest HIV rate in the world. It is a landlocked kingdom in the eastern part of Southern Africa.  eSwatini is adorned by rugged mountains, river valleys, rolling uplands, high plateaus and African savannah.

Arts and Humanities

Most of the inhabitants of eSwatini reside in the countryside, lead traditional lifestyles and speak English and/or Swati. Most Swati ceremonies incorporate dancing, music and song. Most traditional instruments are simple in design. Popular instruments include the kudu horn, reed flute, rattles made of seedpods and attached to wrists and ankles and a calabash attached to a bow.

Environmental Conditions

eSwatini’s climate is mostly subtropical. Savannah, grassland and forests comprise the natural vegetation of this kingdom. eSwatini is abounding in flora and is home to over 2,600 species of flowering plants. However, the natural fauna of eSwatini has been severely diminished due to a growing human population and resulting habitat destruction. As such, mammals such as elephants, hippopotamus, antelope, rhinoceros, giraffe and zebra can only be found primarily in protected reserves.    


Leadership

Swaziland is one of the last absolute monarchies in the world. King Mswati, III became king in 1986.  King Mswati is known as “the lion” and often appears in traditional dress when in public. The King has often been criticised for using public funding for personal palaces and cars, especially as Swaziland’s economy falters.

Media Profile

The state has a tight-fisted control over the media and the broadcasting scene is dominated by government-run outlets. Freedom of expression is severely restricted. Journalists are frequently attacked and threatened by authorities. Although the government does not restrict internet access, few Swatis can afford to go online. In December 2011, there were only a little more than 95,000 internet users. However, South African media is accessible in eSwatini.

Our eSwatini Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Art Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

Cultures Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

How Music Inspires and Empowers Rural Africans to Steward Their Environment

The Power Of Music

We all have a song that we never forget. Maybe it carried us through tough times. Or perhaps it reminds us of good times we’ve had. It may have taught us an important lesson… maybe even at just the right time in our life. Whatever the reason, it stays with us.

Music is complicated. With no single home in the brain, it sparks various zones simultaneously, a symphony of synapses firing on cue, as conducted by your own individual mind. Together with the artist you are listening to, you are painting a singular image… one that encapsulates your thoughts and your emotions at once. This leaves an imprint on your psyche that’s remarkably hard to forget.

Music is simple. Since we began our human journey, music has stood the test of time as a fundamental universal language. Song and dance bring us together in spite of our differences, giving us something to share regardless of our means. We can use it to help clear our minds and focus. We can use it to inspire our minds with ideas. We can use it to help us move on from the thoughts that don’t serve us. We can use it to help us remember ones that do, and to teach them to others. It just works.

Our auditory systems, our nervous systems, are indeed exquisitely tuned for music.

As Oliver Sacks, acclaimed neurologist and author of the bestseller Musicophilia says, “Our auditory systems, our nervous systems, are indeed exquisitely tuned for music.” So I ask you this: if we’re so well attuned to music, and we use it in so many ways, aren’t there other ways to use it? Can we harness the emotional power, memorability, and universality of music to an even greater end?

Children-in-Seronga-with-homemade-guitars

Those Who Need It Most

Ever had a bad day and improved it by listening to the same song on repeat? Music alleviates suffering, even if it’s only as long as the music lasts. Is there a way to use music to alleviate suffering long-term, and not only suffering of the mind? Can we harness its characteristics to alleviate the suffering of those for whom suffering is a way of life? Can music provide those in poverty with the means to take action, and to gain the crucial knowledge that will lead them to be part of the global solution? Furthermore, can it give them a voice within our often lofty global conversations?

We are living in a world in which the people who are bearing the brunt of the backlash for humanity’s decades of decadence have contributed the least to it. On top of this, they know the least about it, as a result of lack of access to the wealth of information that those of us reading this blog have at our fingertips. And even if they did have information regarding the local, landscape, national, regional, continental and global issues that they face, they have few or no systems in place to be able to ignore them, adapt, or even survive.

An ethos and a knowledge of sustainable development is increasingly crucial for all of us. However, there are many families for whom falling out of balance with the earth that sustains them has grave and immediate consequences. As an informed scientific community, can we reach them with research alone? What bridges the gap between research and learning for those who are lucky to be able to read? For those whose history is riddled with abuse by those who quested for such worldly knowledge in less culturally sensitive times?

We believe in the power of music.

Screen shot 2016-04-15 at 7.07.10 PM

Bringing Environmental Knowledge

Conservation Music is a 501(c)3 nonprofit organization on a mission to teach and inspire the world to live environmentally sustainable lifestyles through the power of music, with a special focus on rural, uninformed subsistence communities in the developing world. This includes outlining specific steps to take to better steward the earth as subsistence community members, as well as promoting a general environmental ethic.

We collaborate with artists around the world to compose, record, produce, and create music videos for songs of sustainability in local styles and local languages about local conservation issues. We then seek to add to the global appeal of these songs, to reach the world with inspiring messages from these countries.

We seek to empower the voices of rural musicians and national celebrities alike to reach many thousands of people with messages that everyone needs to hear, broadcast nationally via radio and television, and globally via new media and media partners. In collective harmony, we are planting the seeds of a brighter future in the hearts and the minds of each individual listener, musician, and partner.

The village is the focus, and the world is the stage. Conservation Music first and foremost seeks to reach the communities needing ideas for sustainable living the most. But our impact doesn’t end at the edge of the village. Our rural friends are becoming part of the solution, and their voices can and will inspire other people all around the world.

TsetisoAccordian
Conservation Music is very excited to join the conversation at National Geographic Voices.
Thank you for reading our first post on this platform, please tell your friends! And stay tuned for:

  • More posts about the power of music and the arts to play active roles in shaping our world for the better
  • Songs and music videos from Africa and all around the world
  • An upcoming webseries and missives from the field as we adventure across Southern Africa and collaborate with local musicians
  • Virtual Reality experiences – join us in the field and in the studio as we harness the power of music to teach conservation!
  • Partnerships with the National Geographic Okavango Wilderness Project and many other dedicated conservation groups in Southern Africa
  • (Long term) Our expansion into other developing countries all over the world!

You can learn more about Conservation Music at www.conservationmusic.org and on social media on Facebook, Twitter, and Instagram! If you’d like to partner, contribute, or otherwise get involved with Conservation Music, please email info@conservationmusic.org. Thank you! ~Alex

About the Author
ZambiaConcertMosiOaTunyaJokerJoka

Alex Paullin
of Conservation Music

Facebook Twitter Instagram Linkedin
info@conservationmusic.org
After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger.

Currently, the organization collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more. Throughout his life he aims to expand the project globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

Source: CM NatGeo Voices

Indigenous Knowledge Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

Indigenous Peoples Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

A Harmonious Resistance Creates Global Solidarity for Standing Rock – Conservation Music

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

Energy Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

Activism Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
Tweet this


 

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

Dance Archives – Conservation Music

A Harmonious Resistance Creates Global Solidarity for Standing Rock

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
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This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

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info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

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info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source