Year: 2018

Team Archives – Conservation Music

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Shubert Mwarabu

May 7, 2018 | Team

Country Director: Tanzania

Shubert began using music for wildlife conservation the same year Conservation Music started its journey. A true kindred spirit of ours, Shubert is an activist, an artist, and an organizer rolled into one effective individual. Conservation Music is very excited to have him onboard as co-founder of the incredibly promising Conservation Music Tanzania.

Zinja Gaveta

Oct 28, 2017 | Team

Zinja is the enthusiastic leader of an effective team of professionals building Conservation Music Malawi from the ground up. The positive energy and hard skillset of the Malawi chapter are not to be underestimated! Stay tuned for more music and programs from Malawi.

Alex Paullin

Jun 15, 2017 | Team

Founder, Chief Executive Officer

Alex Paullin is a lifelong musician with a degree in Geographic Science and a wide breadth of additional environmental education. He is a talented composer and producer of both audio and video alike, able to direct a project from start to finish and fill any role that’s necessary for the field or in the studio. His travel and field experience with National Geographic serve him well as he chases his dream of sustainable development through music. Alex has sat on multiple international panels and spoken to various plenary conference audiences globally, is a One Young World Ambassador, and has performed at the UN Environment Assembly.

Reekelitsoe Molapo

Jul 9, 2016 | Team

Africa Director

Reekelitsoe “Rex” Molapo is an accomplished and accoladed young entrepreneur. She’s versatile and multi-skilled; with training in research, entrepreneurship and African studies. She has worked and volunteered with organizations like Better SA, Global Business Roundtable, World Vision, US Embassy and EU Maseru; which equipped her with organizational, management, interpersonal and problem-solving skills. Rex is a Queen’s Young Leader, a YALI Alumnus, A One Young World Ambassador, Tony Elumelu Entrepreneaur, a Pitch at Palace Alumnus, and a UN Solutions Summit Innovator.

Shubert Mwarabu – Conservation Music

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Shubert Mwarabu

May 7, 2018

Country Director: Tanzania

Shubert began using music for wildlife conservation the same year Conservation Music started its journey. A true kindred spirit of ours, Shubert is an activist, an artist, and an organizer rolled into one effective individual. Conservation Music is very excited to have him onboard as co-founder of the incredibly promising Conservation Music Tanzania.

tlokoeng Archives – Conservation Music

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Field Notes: Expedition #K2K – Tlokoeng, Lesotho

Apr 30, 2018 | Blog

Exploring Climate Issues in Lesotho

Conservation Music (CM) kicked off leg two of Expedition #K2K with a 12-hour drive from Cape Town, South Africa to Maseru, Lesotho. A few weeks prior to our arrival, Lesotho’s climate swung from harsh droughts to historic rain and hail storms, highlighting exactly why we are here. Our focus for the month resided in the rural village of Tlokoeng, where our music theme was set to raise awareness on “Rural Water Challenges,” a project in partnership with Conservation Music Lesotho and Professor Tsepo Mokuku from the National University of Lesotho (NUL). Take a visual leap into CM’s fieldwork by checking out our Web series video below.

Upon arriving to Tlokoeng, we began our mission with a quest for musicians to assist in the creation of our eco-song, Metsi A Rona (Our Water). The search naturally led us to the home of Ntate Motolinyane, the principle mamokhorong player in the village. We later learned that he is also the man in charge of maintaining the water pumps that supply the community taps.

“I’ve noticed a change in the rain, the patterns of the rain. While I was still young, rain was always there but it was never a type of rain that would bring floods. Everything was there, the land was green, there was a lot of maize. Rain was always coming, but nowadays what we get is no rain at all but when it comes, it comes with a heavy pour and it messes things up.“ ~Motolinyane | Tlokoeng, Lesotho

We ventured on to the closest mountain, a common place for local artists to convene around sunset. As we approached, local eyes raised and revealed a familiar musical nature. It’s incredible how musicians from any combination of cultures can somehow identify one another through a common wavelength. Our group of artists continued to expand and range from experienced elders to younger vocalists, all eager to be a part of a movement bigger than themselves. This amalgam of the old and the new is exactly the kind of collaborative effort we strive to capture.

The crew continued to ignite conversation regarding the effect that climate change has had on the locals and their village, and how we can work together to better the issues at hand. An initial focus group discussion allowed us to better understand the existing local knowledge of water conservation, and to make note of true stories relating to drought and harsh storms in the village. Together, we identified four key points to be depicted through the storytelling of the verses, while the chorus reinforced the general message. We finalized the verses together with the vocalists and then began rehearsals. Meanwhile, we sat down with locals Limakatso, Motolinyane, and Mokotjo Marake, as well as our own local team member, Rebel Sol, for some brief documentary interviews. Check out more of CM’s stories and videos on National Geographic’s OpenExplorer platform.

CM’s Diverse Crew Sings Loudly

As the songs composition solidified, we headed into week two and began recording in the nearby thatched-roof rondavel. The track developed further with a variety of vocals, the mamokhorong, moropa drum, guitar, bass, jaw harp, tsoelia whistling, and ululations. Woven between the core song and video production were interviews and testimonials with both artists and locals of the village. They weighed in on not only music’s role as an activator for change, but each individual’s role in the community, and the world at large.

With a diverse and unique track recorded, we trekked deeper into the mountains to begin filming for the song’s video. Up the steep slopes, we found giant caves that once served as homes for the Batlokoa people, and later King Moshoeshoe. Currently, these caves are essential for balisana (shepherds) to use as kraals (corrals) to keep their animals from overgrazing the lands. From the caverns to the mountain’s ridgeline, the immersion into this cultural and historical space was a surreal experience and a perfect shooting location to display visuals coherent with our song’s message. The following day we spent time in the valley surrounded by sorghum, maize, rivers, and dongas to wrap up the shoot. With remote shooting locations such as these, it’s important that we have a proper sound system to play back recordings to ensure proper vocal dubbing while editing. We are not only grateful for the help from our volunteers, but also to DreamWave South Africa for supplying us with their Elemental Bluetooth speaker, which has 30 watts of power to maximize our sessions no matter where we are. This tool benefits the mission daily and allows us to continue spreading environmental knowledge through our eco-song and music video creations.

Tlokoeng Gathers for a Community Screening of Metsi A Rona

The second leg of Expedition #K2K concluded in Tlokoeng with a brief impact evaluation and a community screening of their very own music video. Following the screening, we conducted a series of surveys to compare against the preliminary results, which will allow our team to evaluate the production’s educational impact amongst the villagers. Our final days were filled with unity as we all gathered to celebrate a successful song and music video, one that the Tlokoeng community can be proud to share with generations to come. We are so grateful to have spent such quality time in Tlokoeng, and are eager to return as soon as possible to continue our collaboration with the community! Next stop, eSwatini.

Expedition #K2K is our third iteration of long-term field work, and it is by far the most exciting. To learn more about CM, and to stay connected throughout the mission, please subscribe to our Newsletter below, check out our blog on National Geographic, and follow us on Facebook, Instagram, Twitter, and YouTube. For live updates from the field, be sure to check out our page on National Geographic’s newest digital journaling platform, OpenExplorer. If you would like to contribute to Expedition #K2K, please visit our Patreon page, where you can schedule monthly donations of any amount.

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

#lesotho Archives – Conservation Music

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Field Notes: Expedition #K2K – Tlokoeng, Lesotho

Apr 30, 2018 | Blog

Exploring Climate Issues in Lesotho

Conservation Music (CM) kicked off leg two of Expedition #K2K with a 12-hour drive from Cape Town, South Africa to Maseru, Lesotho. A few weeks prior to our arrival, Lesotho’s climate swung from harsh droughts to historic rain and hail storms, highlighting exactly why we are here. Our focus for the month resided in the rural village of Tlokoeng, where our music theme was set to raise awareness on “Rural Water Challenges,” a project in partnership with Conservation Music Lesotho and Professor Tsepo Mokuku from the National University of Lesotho (NUL). Take a visual leap into CM’s fieldwork by checking out our Web series video below.

Upon arriving to Tlokoeng, we began our mission with a quest for musicians to assist in the creation of our eco-song, Metsi A Rona (Our Water). The search naturally led us to the home of Ntate Motolinyane, the principle mamokhorong player in the village. We later learned that he is also the man in charge of maintaining the water pumps that supply the community taps.

“I’ve noticed a change in the rain, the patterns of the rain. While I was still young, rain was always there but it was never a type of rain that would bring floods. Everything was there, the land was green, there was a lot of maize. Rain was always coming, but nowadays what we get is no rain at all but when it comes, it comes with a heavy pour and it messes things up.“ ~Motolinyane | Tlokoeng, Lesotho

We ventured on to the closest mountain, a common place for local artists to convene around sunset. As we approached, local eyes raised and revealed a familiar musical nature. It’s incredible how musicians from any combination of cultures can somehow identify one another through a common wavelength. Our group of artists continued to expand and range from experienced elders to younger vocalists, all eager to be a part of a movement bigger than themselves. This amalgam of the old and the new is exactly the kind of collaborative effort we strive to capture.

The crew continued to ignite conversation regarding the effect that climate change has had on the locals and their village, and how we can work together to better the issues at hand. An initial focus group discussion allowed us to better understand the existing local knowledge of water conservation, and to make note of true stories relating to drought and harsh storms in the village. Together, we identified four key points to be depicted through the storytelling of the verses, while the chorus reinforced the general message. We finalized the verses together with the vocalists and then began rehearsals. Meanwhile, we sat down with locals Limakatso, Motolinyane, and Mokotjo Marake, as well as our own local team member, Rebel Sol, for some brief documentary interviews. Check out more of CM’s stories and videos on National Geographic’s OpenExplorer platform.

CM’s Diverse Crew Sings Loudly

As the songs composition solidified, we headed into week two and began recording in the nearby thatched-roof rondavel. The track developed further with a variety of vocals, the mamokhorong, moropa drum, guitar, bass, jaw harp, tsoelia whistling, and ululations. Woven between the core song and video production were interviews and testimonials with both artists and locals of the village. They weighed in on not only music’s role as an activator for change, but each individual’s role in the community, and the world at large.

With a diverse and unique track recorded, we trekked deeper into the mountains to begin filming for the song’s video. Up the steep slopes, we found giant caves that once served as homes for the Batlokoa people, and later King Moshoeshoe. Currently, these caves are essential for balisana (shepherds) to use as kraals (corrals) to keep their animals from overgrazing the lands. From the caverns to the mountain’s ridgeline, the immersion into this cultural and historical space was a surreal experience and a perfect shooting location to display visuals coherent with our song’s message. The following day we spent time in the valley surrounded by sorghum, maize, rivers, and dongas to wrap up the shoot. With remote shooting locations such as these, it’s important that we have a proper sound system to play back recordings to ensure proper vocal dubbing while editing. We are not only grateful for the help from our volunteers, but also to DreamWave South Africa for supplying us with their Elemental Bluetooth speaker, which has 30 watts of power to maximize our sessions no matter where we are. This tool benefits the mission daily and allows us to continue spreading environmental knowledge through our eco-song and music video creations.

Tlokoeng Gathers for a Community Screening of Metsi A Rona

The second leg of Expedition #K2K concluded in Tlokoeng with a brief impact evaluation and a community screening of their very own music video. Following the screening, we conducted a series of surveys to compare against the preliminary results, which will allow our team to evaluate the production’s educational impact amongst the villagers. Our final days were filled with unity as we all gathered to celebrate a successful song and music video, one that the Tlokoeng community can be proud to share with generations to come. We are so grateful to have spent such quality time in Tlokoeng, and are eager to return as soon as possible to continue our collaboration with the community! Next stop, eSwatini.

Expedition #K2K is our third iteration of long-term field work, and it is by far the most exciting. To learn more about CM, and to stay connected throughout the mission, please subscribe to our Newsletter below, check out our blog on National Geographic, and follow us on Facebook, Instagram, Twitter, and YouTube. For live updates from the field, be sure to check out our page on National Geographic’s newest digital journaling platform, OpenExplorer. If you would like to contribute to Expedition #K2K, please visit our Patreon page, where you can schedule monthly donations of any amount.

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

CMP Month In Review : August 2016

Aug 31, 2016 | Blog

Featured Photo by Thalefang Charles for Cross Okavango Delta Expedition.

Okavango, Okavango, Okavango… The Conservation Music Project glided into August aboard a mokoro, a week after launching from its birthplace of Seronga with the Cross Okavango Delta Expedition (CODE) on July 25th. It was a scramble to reset and repack in Johannesburg after arriving from Zambia July 21st! (The Zambia project, Tushange Isamu, was done alongside Greenpop, a Cape Town-based environmental education and tree planting group. More on that in another post!)

The Creative Crossing

CODE 2016 marked the first official “Creative Crossing” of the Okavango Delta, in hopes of supplementing research efforts to understand and conserve the place with poetic and musical messages to bring more Batswana (people of Botswana) on board, as well as to inspire a global audience. As many of you know, the Conservation Music movement was crystalized in Angola, en route to the Delta, aboard a mokoro in 2015 with Dr. Steve Boyes’ Okavango Wilderness Project (OWP). At the time of this writing, the OWP crew is pulling their boats through the deep, muddy wilderness as the water that carried our crossing continues to drop during theirs. You can follow along with live updates at www.intotheokavango.org.

The CODE 2016 crossing was quite special… a group of 15 Batswana was joined by just a single foreign member, Conservation Music founder Alex. In general, the Delta is visited and run by either foreigners or white Botswana nationals, and one intention of CODE is to inspire more Batswana to visit and invest in this incredible national heritage site. Needless to say, it was an honor to be made the exception and join the team of creative celebrities, media professionals, and polers from Botswana to produce a song and music video throughout the two-week crossing.

EricPoleVideo still shot by Alex Paullin.

The song is entitled, “Okavango Oa Moxa,” which means “Okavango You Are Beautiful” in seYei, the mother tongue of famous four-string guitarist Stiger Sola, who was born into the lineage of the baYei, also known as the “Watshara,” or “The River People.” This tribe is said to have been the first to break into the Delta long ago, bringing 6-meter long wooden mekoro (mokoros) to enter the deep, wild paradise that the land-based KhoiSan bushmen in the region left alone.

Indeed, Stiger Sola himself was born inside that very wilderness… his aunt assisting his young mother to deliver him on an island, as his uncle waited aboard the mokoro, long ngashe pole in hand. They were still far from the village of Sharobe, the place where he was meant to be delivered, which would soon become his home. Thus a legend of Botswana was born in the heart of the same inspiration that our expedition was seeking…. We brought him back into the wild with a guitar.

Stiga River

Photo by Thalefang Charles for Cross Okavango Delta Expedition.

The other musical celebrity on board was HT Tautona, a Maun-born rapper who grew up on the cattle post but made his claim to fame in Gaborone, Botswana’s capitol. For HT this trip was like returning home, but finally seeing the Delta he grew on the edge of the right way… by mokoro, in the depth of its wilderness. His lyrics describe the overflow of emotions upon returning to this place “like a pen without ink” and being filled with inspiration to write. HT was a major team player and was easy to find helping in the kitchen.

HTKitchen

Photo by Thalefang Charles for Cross Okavango Delta Expedition.

Last but not least, as a surprise addition to the music team, multi-talented poet Leshie Lovesong spoke up during a fireside brainstorming jam session with a poem she had written, which now serves as a deeply emotional opening to the song. Once she was brought aboard the music team, she also lent her voice to the chorus, responding to Stiger’s calls of “Okavango, Okavango, Okavango” with Stiger’s own declarations to his mother, the Delta, of her lovable, everlasting, beautiful nature, and her role in his existence as “a way of life.” Leshie’s own way of life took quite a shock in the wilderness… prior the expedition she had never even been camping.

LeshieSmileEle

Photo by Thalefang Charles for Cross Okavango Delta Expedition.

Conservation Music is extremely excited to be part of Botswana’s 50th anniversary celebrations. As we speak, the new song “Okavango O Moxa” is being registered with the Copyright Society of Botswana (COSBOTS) so that the artists involved can earn their royalties and protect their rights when this song hits the radio in September. The music video shot in the Delta is soon to follow, and will we broadcast on Botswana Television (BTV) and on Youtube and Vimeo. The song and video will also be made available on iTunes and Google Play soon!
Overall the Cross Okavango song project has been a resounding success. The tune is set to be a hit, the video will be made up of some incredible moments with people and wildlife out in the deep wilderness, and new opportunities are coming up rapidly as this project gains attention. We cannot wait to release this song and video, and hopefully do it all over again next year.

What’s Next On the Horizon?

In the meantime, lots of other things are happening too! For example:

Conservation Music Presents Sotho Sounds @ Rocking the Daisies

For instance, Conservation Music is preparing to bring our old friends the Sotho Sounds from Lesotho down to Cape Town for the massive Rocking the Daisies* music festival! The festival runs from the 7th-9th of October, and we’ll be rocking the Hemp Stage in the Green Village area on Saturday from 2-2:45pm. The Sotho Sounds are a group of rural musicians with enormous heart and talent, and we are extremely excited to give them the chance to perform for such an audience, and hopefully to sell some of their handcrafted merchandise!

FYI, preceding the festival opportunity, we are discussing a collaboration in Lesotho with an American celebrity musician. More on that soon!

SSCrawfurdPhoto by Jacob Crawfurd of Crawfurd Media.

Zambian Tree Song “Tushange Isamu” Release with Greenpop

Quite close to the release date for “Okavango O Moxa” in Botswana, we look forward to releasing the tree planting song and music video recorded in Livingstone, Zambia alongside Greenpop. In July, the song was composed and performed by the Mosi Oa Tunya band, alongside members of the Golden Leaf band as well as Conservation Music’s own Alex Paullin. September is Arbor Month, so this release is very relevant!

ZamStagePhoto by Lee-Ann Olwege.

Return to Angola with The Okavango Wilderness Project

Conservation Music looks forward to returning to Angola in October, following Rocking the Daisies festival in Cape Town. The Okavango Wilderness Project (OWP) is bringing several research teams to survey the Angolan catchments of the Okavango watershed. We are grateful for their continued enthusiasm regarding the power of music to foster conservation ethics in the minds of the people living in the region, where decades of aggression have scarred both the people and the landscape. The beauty and importance of the landscape there are something to be proud of, and we look forward to encouraging that pride alongside OWP and National Geographic.

AngoVidVideo still shot by Alex Paullin.

Field Notes: Expedition #K2K – Tlokoeng, Lesotho – Conservation Music

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Field Notes: Expedition #K2K – Tlokoeng, Lesotho

Apr 30, 2018

Exploring Climate Issues in Lesotho

Conservation Music (CM) kicked off leg two of Expedition #K2K with a 12-hour drive from Cape Town, South Africa to Maseru, Lesotho. A few weeks prior to our arrival, Lesotho’s climate swung from harsh droughts to historic rain and hail storms, highlighting exactly why we are here. Our focus for the month resided in the rural village of Tlokoeng, where our music theme was set to raise awareness on “Rural Water Challenges,” a project in partnership with Conservation Music Lesotho and Professor Tsepo Mokuku from the National University of Lesotho (NUL). Take a visual leap into CM’s fieldwork by checking out our Web series video below.

Upon arriving to Tlokoeng, we began our mission with a quest for musicians to assist in the creation of our eco-song, Metsi A Rona (Our Water). The search naturally led us to the home of Ntate Motolinyane, the principle mamokhorong player in the village. We later learned that he is also the man in charge of maintaining the water pumps that supply the community taps.

“I’ve noticed a change in the rain, the patterns of the rain. While I was still young, rain was always there but it was never a type of rain that would bring floods. Everything was there, the land was green, there was a lot of maize. Rain was always coming, but nowadays what we get is no rain at all but when it comes, it comes with a heavy pour and it messes things up.“ ~Motolinyane | Tlokoeng, Lesotho

We ventured on to the closest mountain, a common place for local artists to convene around sunset. As we approached, local eyes raised and revealed a familiar musical nature. It’s incredible how musicians from any combination of cultures can somehow identify one another through a common wavelength. Our group of artists continued to expand and range from experienced elders to younger vocalists, all eager to be a part of a movement bigger than themselves. This amalgam of the old and the new is exactly the kind of collaborative effort we strive to capture.

The crew continued to ignite conversation regarding the effect that climate change has had on the locals and their village, and how we can work together to better the issues at hand. An initial focus group discussion allowed us to better understand the existing local knowledge of water conservation, and to make note of true stories relating to drought and harsh storms in the village. Together, we identified four key points to be depicted through the storytelling of the verses, while the chorus reinforced the general message. We finalized the verses together with the vocalists and then began rehearsals. Meanwhile, we sat down with locals Limakatso, Motolinyane, and Mokotjo Marake, as well as our own local team member, Rebel Sol, for some brief documentary interviews. Check out more of CM’s stories and videos on National Geographic’s OpenExplorer platform.

CM’s Diverse Crew Sings Loudly

As the songs composition solidified, we headed into week two and began recording in the nearby thatched-roof rondavel. The track developed further with a variety of vocals, the mamokhorong, moropa drum, guitar, bass, jaw harp, tsoelia whistling, and ululations. Woven between the core song and video production were interviews and testimonials with both artists and locals of the village. They weighed in on not only music’s role as an activator for change, but each individual’s role in the community, and the world at large.

With a diverse and unique track recorded, we trekked deeper into the mountains to begin filming for the song’s video. Up the steep slopes, we found giant caves that once served as homes for the Batlokoa people, and later King Moshoeshoe. Currently, these caves are essential for balisana (shepherds) to use as kraals (corrals) to keep their animals from overgrazing the lands. From the caverns to the mountain’s ridgeline, the immersion into this cultural and historical space was a surreal experience and a perfect shooting location to display visuals coherent with our song’s message. The following day we spent time in the valley surrounded by sorghum, maize, rivers, and dongas to wrap up the shoot. With remote shooting locations such as these, it’s important that we have a proper sound system to play back recordings to ensure proper vocal dubbing while editing. We are not only grateful for the help from our volunteers, but also to DreamWave South Africa for supplying us with their Elemental Bluetooth speaker, which has 30 watts of power to maximize our sessions no matter where we are. This tool benefits the mission daily and allows us to continue spreading environmental knowledge through our eco-song and music video creations.

Tlokoeng Gathers for a Community Screening of Metsi A Rona

The second leg of Expedition #K2K concluded in Tlokoeng with a brief impact evaluation and a community screening of their very own music video. Following the screening, we conducted a series of surveys to compare against the preliminary results, which will allow our team to evaluate the production’s educational impact amongst the villagers. Our final days were filled with unity as we all gathered to celebrate a successful song and music video, one that the Tlokoeng community can be proud to share with generations to come. We are so grateful to have spent such quality time in Tlokoeng, and are eager to return as soon as possible to continue our collaboration with the community! Next stop, eSwatini.

Expedition #K2K is our third iteration of long-term field work, and it is by far the most exciting. To learn more about CM, and to stay connected throughout the mission, please subscribe to our Newsletter below, check out our blog on National Geographic, and follow us on Facebook, Instagram, Twitter, and YouTube. For live updates from the field, be sure to check out our page on National Geographic’s newest digital journaling platform, OpenExplorer. If you would like to contribute to Expedition #K2K, please visit our Patreon page, where you can schedule monthly donations of any amount.

This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

Field Notes: Expedition #K2K – Cape Town, South Africa – Conservation Music

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Field Notes: Expedition #K2K – Cape Town, South Africa

Apr 11, 2018

Preparing for the Expedition

A week prior to March, Alex Paullin, our Founder at Conservation Music (CM), landed in Africa to lay groundwork and prepare for Expedition #K2K, a 13-month sea-to-summit caravan from Cape Town’s drying coast to Tanzania’s melting glacier. Throughout the expedition, our plans are to develop thirteen new globally inspiring educational songs and videos in local languages, amplify the voices of local eco-nonprofits and relevant organizations, offer global exposure to local eco-artists, while following up on past CM projects and scouting for future ones. We believe strongly in our work, knowing that it speaks loudly within the global conversation of our suffering planet.

With the expedition launch date looming, Alex booked it from the International Airport in Johannesburg, South Africa, over to Lobamba, Swaziland, to pick up our Nissan X-trail. After several days of setting preparations for our Swazi-based project this upcoming May, Alex headed over to Lesotho for a few meetings, and then further south to Cape Town’s International Airport to meet up with incoming field crew members, Chris Velosovich and Bryan Murphy. Alex enjoyed the last hours of his solo journey by visiting the Valley of Desolation and connecting with Giant Flag, a carbon sequestering project in Graaff Reinet, South Africa. Take an inside look into Alex’s preparations and pit stops by checking out these YouTube videos filmed throughout his travels from Swaziland to Lesotho, Lesotho to Graaf Reinet, and Graaff Reinet to Cape Town.

Leg 1 of Expedition #K2K is Underway!

Watch CM’s Production Crew pack for the 13-month expedition!

On February 28th, the rest of us joined Alex in Cape Town, South Africa, lugging along the production and field gear needed for thirteen months of producing sound and video content along Africa’s weathered coast. Check out this behind the scenes YouTube video from CM’s Visual Production Manager, Bryan Murphy, to see how the production crew packed for this grand expedition.

When we headed to claim our luggage, all of our gear was searched and possessed by airport customs. Without a resolution at hand, we decided to get to work by collaborating with Jack Mantis Band and Gershan Lombard: KhoisanBoy.Man on CM’s first #K2K project, an eco-song and music video regarding climate change, water scarcity, and unity. The focus of this production stems from the pressing issue of Cape Town’s water crisis, which is rapidly heading towards #DayZero. Learn more about #DayZero on Cape Town’s Day Zero Dashboard.

Throughout our time in Cape Town, we were set to work closely with Gershan, Jack, and Jack’s friend Philip Pells, as they graciously shared their home and studio spaces with us. As owner of Africa Sun Studios, Phil not only shared his space with us, but also contributed top-notch sound engineering skills and bass playing to the track. After rehearsing and working out the kinks, we brought on Chuma Preshy Mgcoyi, a Xhosa singer, to add beautiful vocals in her native tongue. Together, we meticulously crafted and recorded beautiful content for the #DayZero eco-production.

Despite focusing heavily on the #DayZero eco-production, we pressed forward on other media projects, including content for our field updates on National Geographic’s OpenExplorer platform and amazing footage for CM’s fifth WebSeries episode, our first of Expedition #K2K. As we wrapped up our first week in Cape Town, we found it necessary to travel to a local freshwater spring to replenish drinking water for our household. With a daily limit of 25-litres, each of us carried five 5-litre bottles to fill. We were shocked to learn that the spring drains directly into the ocean, wasting millions of gallons of potable water each day. This is exactly what we are on the lookout for, and unfortunately these environmental impacts aren’t hard to spot. With the eco-production flowing nicely, we headed over to Elandsbaai, a secluded surf spot, for two nights of camping and hanging with friends. As the track continued to expand, we brought in Paulo Costa on clarinet, Rob Coutts on sax, and Buck Roger on violin.

The Field Crew Sets Out to Film a Music Video for CM’s #DayZero eco-Production

Check out CM’s aerial footage of Theewaterskloof Dam!

Following the short break, we grooved back into the workflow by tracking the eco-song and venturing to several impacted locations to shoot the music video with Jack, Gershan, and Chuma. Our first shoot took place at Theewaterskloof Dam, a once thriving source of water and destination for boating and fishing. Now, most of the area is completely dry, revealing remains of dead fish, capsized yachts, desolate vineyards, and collapsed villages. Check out the aerial footage that we recorded while flying our drone throughout the barren lands. Theewaterskloof is an unfortunate example of how extreme Cape Town’s water crisis is, making it a perfect location to film. With most of our camera gear still held up at customs, we weren’t certain how we would complete the video. We ended up crossing paths with a fellow American from Philadelphia, Luke, who is a young filmmaker also documenting the water crisis. He decided to spend time with us and help out with the shoot. The odds of that happening blew us all away, and we could not be more grateful for the turn of events.

After a day and a half of shooting at Theewaterskloof, we ventured to Philippi Township, an extremely low-income area that is home to many people and programs with hope for the future. The Philippi Dance crew is a great example, as their team of young dancers, led by our friends Cosmos and Suzie, lend a traditional Xhosa Rain dance as footage for our #DayZero music video. It was inspiring to film these optimistic young teens, and we are excited to include them in our eco-production.

On March 22nd, we performed an acoustic rendition of the song at Café Roux in Noordhoek during Jack’s solo show, including other brilliant guest musicians throughout the night. The evening was a tremendous success for CM, as we made many new connections and friends, including Lorraine, an Afrikaans artist and model. We invited her back to the studio so that she could face paint Jack, Gershan, Chuma, which we ended up filming in an incredible time lapse video.

To wrap up location shooting for the #DayZero music video, we joined our friends at GreenPop in the Platbos Forest Reserve for their Reforest Fest. Over the course of two consecutive weekends, volunteers planted over 8,000 trees, soaked in environmental education, and intensified their connection with the planet.

CM Wraps Up Projects in Cape Town and Prepares for Leg 2 of Expedition #K2K

With the doors closing on March, we remained gearless and unsure of how we could move forward with the expedition. Luckily, Phil made a few phone calls, and successfully retrieved all of our gear from customs. Aside from owning the studio, Phil also works at a music equipment warehouse and importer company, called Paul Bothner, where he was able to sponsor us amazing new gear, including microphones, Bluetooth speakers, and various cables. With our gear finally in hand, along with some new additions, we extended our gratitude and respect to the Cape Town crew, and then headed out for the second leg of the expedition to Lesotho.

As we begin our next project in Maseru, Lesotho, we are excited to share the full Webseries On The Beating Path… Episode 5: #K2K Leg 1 of 13 – Cape Town, which recaps on all the work we completed last month. Throughout each phase of the expedition, we will continue sharing content illustrating our travels, the people we work with, the process behind each eco-production, and a feature song and music video from each location. Stay tuned for the debut of our #DayZero production, due for release in early April, we think you’re going to love it.

Expedition #K2K is our third iteration of long-term field work, and it is by far the most exciting. To learn more about CM, and to stay connected throughout the mission, please subscribe to our Newsletter below, check out our blog on National Geographic, and follow us on Facebook, Instagram, Twitter, and YouTube. For live updates from the field, be sure to check out our page on National Geographic’s newest digital journaling platform, OpenExplorer. If you would like to contribute to Expedition #K2K, please visit our Patreon page, where you can schedule monthly donations of any amount.

This post was written by Charles Ross for Conservation Music.

 

About Conservation Music

Our Musical Nonprofit For Conservation

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

Cape Town Archives – Conservation Music

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Field Notes: Expedition #K2K – Cape Town, South Africa

Apr 11, 2018 | Blog

Preparing for the Expedition

A week prior to March, Alex Paullin, our Founder at Conservation Music (CM), landed in Africa to lay groundwork and prepare for Expedition #K2K, a 13-month sea-to-summit caravan from Cape Town’s drying coast to Tanzania’s melting glacier. Throughout the expedition, our plans are to develop thirteen new globally inspiring educational songs and videos in local languages, amplify the voices of local eco-nonprofits and relevant organizations, offer global exposure to local eco-artists, while following up on past CM projects and scouting for future ones. We believe strongly in our work, knowing that it speaks loudly within the global conversation of our suffering planet.

With the expedition launch date looming, Alex booked it from the International Airport in Johannesburg, South Africa, over to Lobamba, Swaziland, to pick up our Nissan X-trail. After several days of setting preparations for our Swazi-based project this upcoming May, Alex headed over to Lesotho for a few meetings, and then further south to Cape Town’s International Airport to meet up with incoming field crew members, Chris Velosovich and Bryan Murphy. Alex enjoyed the last hours of his solo journey by visiting the Valley of Desolation and connecting with Giant Flag, a carbon sequestering project in Graaff Reinet, South Africa. Take an inside look into Alex’s preparations and pit stops by checking out these YouTube videos filmed throughout his travels from Swaziland to Lesotho, Lesotho to Graaf Reinet, and Graaff Reinet to Cape Town.

Leg 1 of Expedition #K2K is Underway!

Watch CM’s Production Crew pack for the 13-month expedition!

On February 28th, the rest of us joined Alex in Cape Town, South Africa, lugging along the production and field gear needed for thirteen months of producing sound and video content along Africa’s weathered coast. Check out this behind the scenes YouTube video from CM’s Visual Production Manager, Bryan Murphy, to see how the production crew packed for this grand expedition.

When we headed to claim our luggage, all of our gear was searched and possessed by airport customs. Without a resolution at hand, we decided to get to work by collaborating with Jack Mantis Band and Gershan Lombard: KhoisanBoy.Man on CM’s first #K2K project, an eco-song and music video regarding climate change, water scarcity, and unity. The focus of this production stems from the pressing issue of Cape Town’s water crisis, which is rapidly heading towards #DayZero. Learn more about #DayZero on Cape Town’s Day Zero Dashboard.

Throughout our time in Cape Town, we were set to work closely with Gershan, Jack, and Jack’s friend Philip Pells, as they graciously shared their home and studio spaces with us. As owner of Africa Sun Studios, Phil not only shared his space with us, but also contributed top-notch sound engineering skills and bass playing to the track. After rehearsing and working out the kinks, we brought on Chuma Preshy Mgcoyi, a Xhosa singer, to add beautiful vocals in her native tongue. Together, we meticulously crafted and recorded beautiful content for the #DayZero eco-production.

Despite focusing heavily on the #DayZero eco-production, we pressed forward on other media projects, including content for our field updates on National Geographic’s OpenExplorer platform and amazing footage for CM’s fifth WebSeries episode, our first of Expedition #K2K. As we wrapped up our first week in Cape Town, we found it necessary to travel to a local freshwater spring to replenish drinking water for our household. With a daily limit of 25-litres, each of us carried five 5-litre bottles to fill. We were shocked to learn that the spring drains directly into the ocean, wasting millions of gallons of potable water each day. This is exactly what we are on the lookout for, and unfortunately these environmental impacts aren’t hard to spot. With the eco-production flowing nicely, we headed over to Elandsbaai, a secluded surf spot, for two nights of camping and hanging with friends. As the track continued to expand, we brought in Paulo Costa on clarinet, Rob Coutts on sax, and Buck Roger on violin.

The Field Crew Sets Out to Film a Music Video for CM’s #DayZero eco-Production

Check out CM’s aerial footage of Theewaterskloof Dam!

Following the short break, we grooved back into the workflow by tracking the eco-song and venturing to several impacted locations to shoot the music video with Jack, Gershan, and Chuma. Our first shoot took place at Theewaterskloof Dam, a once thriving source of water and destination for boating and fishing. Now, most of the area is completely dry, revealing remains of dead fish, capsized yachts, desolate vineyards, and collapsed villages. Check out the aerial footage that we recorded while flying our drone throughout the barren lands. Theewaterskloof is an unfortunate example of how extreme Cape Town’s water crisis is, making it a perfect location to film. With most of our camera gear still held up at customs, we weren’t certain how we would complete the video. We ended up crossing paths with a fellow American from Philadelphia, Luke, who is a young filmmaker also documenting the water crisis. He decided to spend time with us and help out with the shoot. The odds of that happening blew us all away, and we could not be more grateful for the turn of events.

After a day and a half of shooting at Theewaterskloof, we ventured to Philippi Township, an extremely low-income area that is home to many people and programs with hope for the future. The Philippi Dance crew is a great example, as their team of young dancers, led by our friends Cosmos and Suzie, lend a traditional Xhosa Rain dance as footage for our #DayZero music video. It was inspiring to film these optimistic young teens, and we are excited to include them in our eco-production.

On March 22nd, we performed an acoustic rendition of the song at Café Roux in Noordhoek during Jack’s solo show, including other brilliant guest musicians throughout the night. The evening was a tremendous success for CM, as we made many new connections and friends, including Lorraine, an Afrikaans artist and model. We invited her back to the studio so that she could face paint Jack, Gershan, Chuma, which we ended up filming in an incredible time lapse video.

To wrap up location shooting for the #DayZero music video, we joined our friends at GreenPop in the Platbos Forest Reserve for their Reforest Fest. Over the course of two consecutive weekends, volunteers planted over 8,000 trees, soaked in environmental education, and intensified their connection with the planet.

CM Wraps Up Projects in Cape Town and Prepares for Leg 2 of Expedition #K2K

With the doors closing on March, we remained gearless and unsure of how we could move forward with the expedition. Luckily, Phil made a few phone calls, and successfully retrieved all of our gear from customs. Aside from owning the studio, Phil also works at a music equipment warehouse and importer company, called Paul Bothner, where he was able to sponsor us amazing new gear, including microphones, Bluetooth speakers, and various cables. With our gear finally in hand, along with some new additions, we extended our gratitude and respect to the Cape Town crew, and then headed out for the second leg of the expedition to Lesotho.

As we begin our next project in Maseru, Lesotho, we are excited to share the full Webseries On The Beating Path… Episode 5: #K2K Leg 1 of 13 – Cape Town, which recaps on all the work we completed last month. Throughout each phase of the expedition, we will continue sharing content illustrating our travels, the people we work with, the process behind each eco-production, and a feature song and music video from each location. Stay tuned for the debut of our #DayZero production, due for release in early April, we think you’re going to love it.

Expedition #K2K is our third iteration of long-term field work, and it is by far the most exciting. To learn more about CM, and to stay connected throughout the mission, please subscribe to our Newsletter below, check out our blog on National Geographic, and follow us on Facebook, Instagram, Twitter, and YouTube. For live updates from the field, be sure to check out our page on National Geographic’s newest digital journaling platform, OpenExplorer. If you would like to contribute to Expedition #K2K, please visit our Patreon page, where you can schedule monthly donations of any amount.

This post was written by Charles Ross for Conservation Music.

 

About Conservation Music

Our Musical Nonprofit For Conservation

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

Conservation Music’s Expedition #K2K – Conservation Music

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Conservation Music’s Expedition #K2K

Feb 18, 2018

A NOTE FROM THE FOUNDER:

“2017 WAS A LANDMARK YEAR FOR CONSERVATION MUSIC. SINCE I BEGAN THIS JOURNEY IN 2015 WITH A GUITAR, A CAMERA, A MIC AND A MOTORBIKE, WE HAVE EXPANDED TO A SMALL BUT GROWING FORCE TO BE RECKONED WITH, SPREADING KNOWLEDGE AND MOBILIZING MUSIC CREATORS AND LOVERS ALL OVER THE WORLD! IT’S BEEN A GREAT TWO MONTHS BACK HOME, AND I CAN’T WAIT TO GET BACK TO THE FIELD FOR WHAT IS SURE TO BE A POWERFUL AND IMPACTFUL YEAR OF STRONG COLLABORATIONS. 2018 IS OUR YEAR TO SHINE, AND IN THIS TIME OF GLOBAL CRISIS IT’S IMPERATIVE THAT WE DO SO. I’LL SEE YOU ON THE ROAD. LET’S DO THIS!”

 

ALEX PAULLIN
FOUNDER/CEO
CONSERVATION MUSIC, 501(C)3 NONPROFIT

Kaapstad (Cape Town) to Kilimanjaro

After a couple of months in the United States, the CM Field Crew is heading back to Africa to launch Expedition #K2K, a sea-to-summit caravan from Cape Town’s drying coast to Tanzania’s melting glacier! Conservation Music (CM) will be forming eco-educational music collaborations, while working with and amplifying the existing efforts of local NGOs along the way. Throughout our travels, we will work with incredible local artists, collaborate with many new and existing partners, and document it all in a number of ways so that you can join the 13-month journey!

Alex Paullin, CM’s founder, will be flying down first to lay some groundwork for the mission, and we will be joining him in Cape Town this March. Once the crew is united, we will complete one song and music video in each destination, resulting in a compilation of 12 educational productions, recorded in many different languages. Using the same #CrowdStudio tactics from our travels in 2017, we will also develop a thirteenth song through collaborations with local artists. At the Bushfire Festival last year, we recorded our first #CrowdStudio track, “Heal it Now,” with dozens of artists in twelve different languages, recording over 50 tracks in total, which were then arranged and mixed down into one empowering song. Now, imagine one of these across 8 different countries!

Expedition Itinerary

  1. March 2018 – Cape Town, South Africa
  2. April 2018 – Maseru and Malealea, Lesotho
  3. May 2018 – Malkerns and Ezulwini, Swaziland
  4. June 2018 – Johannesburg and Pretoria, South Africa
  5. July 2018 – Maun, Botswana
  6. August 2018 – Livingstone, Zambia
  7. September 2018 – Hwange, Zimbabwe
  8. October 2018 – Harare, Zimbabwe
  9. November 2018 – Lusaka, Zambia
  10. December 2019 – Malawi
  11. January 2019 – Dar Es Salaam, Tanzania
  12. February 2019 – Zanzibar, Tanzania
  13. March 2019 – Mt. Kilimanjaro, Tanzania

Want to know more about these countries? Check out CM’s Where We Work!

Learn more about who we will be working with!

Conservation Music (CM) would not be where it is today without the help of our friends. Read more about a few of the many organizations that we will be working with throughout Expedition #K2K.

Greenpop

We are thrilled to have Greenpop as an NGO partner for Cape Town, South Africa! Greenpop is leading the Treevolution across Southern Africa, planting trees, spreading environmental awareness, and hosting eco-festivals and workshops. We are inspired by the work they’ve done and cannot wait to collaborate in Cape Town come this March. For more information on Greenpop, check out https://greenpop.org/. Feel free to log on to: www.conservationmusic.org/k2k to see the full list of artists and NGOs, find more information about the expedition, and discover how to get involved!

Explore4Knowledge

Environmental education is a key component in what we at Conservation Music do. Our friends at Explore4Knowledge do just that by promoting “environmental education through adventure” expeditions across Southern Africa. They have agreed to partner with us in Cape Town, South Africa for March 2018 and we couldn’t more excited. For more information, check out: http://www.explore4knowledge.com/

Conservation Music Lesotho

We’re heading back to the Mountain Kingdom and can’t wait to make Malealea, Lesotho our home again for April 2018. We’ll be partnering with our friends at Conservation Music Lesotho! CM Lesotho is an organization of Basotho musicians, eco-advocates, and private sponsors that decided to make Conservation Music local. We hope that CM Lesotho becomes a model for surrounding countries across Southern Africa.

MTN Bushfire Festival

In May 2018, Conservation Music will be traveling to Swaziland’s biggest music festival of the year, MTN Bushfire Festival. Last year, the Bushfire crew launched the “Green Your Fire” campaign, committing to become a more eco-friendly event by promoting environmental sustainability to festival participants. The Bushfire Festival was the birthplace of our CM #CrowdStudio, resulting in over 50 musicians collaborating to create “CM Studios: Heal it Now – The 2017 Bushfire #CrowdStudio Project” seen here: https://www.facebook.com/conservationmusic/videos/1969370016672596/ For more infomation on MTN Bushfire and the incredible work that they do, click here: https://www.bush-fire.com/

Big Game Parks

Swaziland is home to beautiful wildlife and our friends at Big Game Parks are committed to promoting sustainable eco-tourism and environmental literacy. We will be partnering together in Ezulwini, Swaziland for May 2018. For the past 50 years, “Big Game Parks has remained a pioneer in both conservation and tourism in Swaziland.” For more information, check out: https://biggameparks.org/

Projekt 23

June 2018 will bring Conservation Music to the South African cities of Pretoria and Johannesburg! We will be working with our main NGO, Projekt 23. Projekt 23 aims “to create an awareness of environmental challenges prevalent in local communities and vulnerable natural environments.” Through their Conservation Awareness and Participation approach, they empower local communities to find sustainable solutions addressing environmental challenges. We are grateful for their partnership and can’t wait to see their work in person. For more information, check out: http://www.projekt23.org.za/

African Bush Camps Foundation

The African Bush Camps Foundation empowers rural communities to become economically sustainable and ensure that natural resources are protected and cared for. With a mission like that, it’s no surprise that Conservation Music is partnering with them in Hwange, Zimbabwe for September 2018! For more information, check out: https://www.africanbushcamps.com/

Agents of Change

Conservation Music is heading to Lusaka, Zambia for November 2018 to partner with Agents of Change Foundation Zambia. They use story tellings and the power of radio to spread HIV/AIDS awareness, environmental sustainability, and inform youth about human rights across Lusaka.

To fulfill our mission, we will need your help! Here’s how you can contribute:

Artist Partners — Join the movement!

We exist to amplify our fellow artists’ voices towards a better world to live in. If you’re based along our route and you would like to get involved, please get in touch!

NGO Partners — Join the movement!

Are you an environmental or musical nonprofit based along our route? We want to tell your story and reinforce your impact! Please get in touch!

Production Partners — Join the movement!

Are you based along our route and experienced in audio/video/photo production? If you want to lend your skills to our movement, let’s find a way to work together!

Lodging Partners — Join the movement!

Are you able to sponsor us lodging at any points along our route? We will happily share our experience at your establishment(s) with our growing global following!

Food Partners — Join the movement!

Are you a grocery, restaurant, or catering company with locations along our route? We cannot do any of this without food! If you’d like to join our movement we will gladly spread the good word.

Transport Partners — Join the movement!

Can you provide us with vehicles, fuel, maintenance, parts, or repairs along our route? Please get in touch about a partnership or sponsorship!

Media Partners — Join the movement!

Are you a producer, writer, editor, DJ, social media specialist, or another person at a media outlet anywhere in the world?

We’ve already been featured online, on the air, and in print around the globe. Be it individual interviews or missives from the field, please get in touch if you take interest in our story!

Financial Partners — Join the movement!

Are you a philanthropist, large NGO, corporate representative, famous musician, or otherwise in a position to donate?

We’re raising money to cover expedition expenses, incentives for artists and local collaborators, carbon neutral sequestration, and other costs required to continue our work.

We are excited for CM’s growth alongside our partners throughout this next year, and we are honored to bring you along on our journey. Stay tuned and be sure to connect with us on Facebook, Twitter, Instagram, and YouTube for even more updates and stories!

This post was written by the Conservation Music Crew for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

2017: A Landmark Year for Conservation Music – Conservation Music

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2017: A Landmark Year for Conservation Music

Jan 30, 2018

Welcome to our Review of 2017!

Dear friends and colleagues,

Alex Paullin here, Founder of Conservation Music (“CM”) and National Geographic Explorer. It is with the utmost of gratitude and respect that I’m writing this letter today. It’s certainly a long time coming… the first month of 2018 has already nearly passed us by! Needless to say, it’s been a very busy start of the year, as we wrap up last year’s projects (Especially Our Music, Our Environment [OMOE] with the National Geographic Society) and prepare for our upcoming 13-month #K2K Expedition.

I am grateful for the chance to sit down now and extend my thanks to all of those who have gotten us this far. I am excited to fill you all in on the numerous accomplishments we made throughout our nine months in the field, thanks to your help! It didn’t come easy, but the organization grew in so many positive directions. So… before diving into what we were up to as we worked towards last year’s end, I want to summarize some of the specific steps of progress we were able to make because of your support and generosity.

  • Purchased Liam Nissan, our 4×4 (SUV) vehicle (CM began on just a motorbike!)
    • Upgraded with roof rack and tow bar
  • Expanded CM’s field crew to 3 members
    • Myself (Alex Paullin), Founder/CEO
    • Chris Volosevich, Audio Production Manager
    • Bryan Murphy, Visual Production Manager
  • Facilitated 2 #CrowdStudio recording workshops (What’s a #CrowdStudio?!)
    • Heal it Now (Swaziland, May 2017)
    • Over The Lands And The Oceans (Zambia, July 2017) (launching soon!)
  • Held our first village Conservation Concert in Malealea, Lesotho as part of Our Music, Our Environment (seen in Featured Image above)
  • Wrote, recorded, performed, and/or produced 17 new eco-songs and videos:
    • Lesotho (compilation album on the way…!)
      • Manyabolo (Alex Paullin, Pitso Rah Makhula feat. Mapule Masioua: Climate)
      • Notsi (Pitso Rah Makhula feat. Reekelitsoe Molapo: Bees)
      • Temo Ea Moshoelella (Rebel Sol feat. Reekelitsoe Molapo: Conservation Agriculture)
      • Puta, Puta, Puta (Mapule Masioua feat. Tsepang Khobotle)
      • Climate Song (Reekelitsoe Molapo, Mookho, Tsepang Khobotle: Climate)
      • Mother Earth (Mookho: Drought)
      • Ngope la Musi (Sotho Sounds: Erosion [2016])
      • Lifate (Sotho Sounds: Trees)
      • Thutsoana Ya Ebaka Thaba (Sotho Sounds: Burning)
      • Lekhulo Meraka (Pitso Rah Makhula feat. Qacha Leine: Responsible Herding)
      • Makhulo (Puseletso Seema feat. Pitso Rah Makhula: Responsible Herding)
      • Rato La Naha (Selimo Thabane feat. Pitso Rah Makhula: Responsible Herding)
    • Swaziland:
      • Heal It Now (#CrowdStudio feat. Bholoja, Velemseni & Black Rhino: Climate)
      • There Goes the Bee (Buddy Masango: Bees)
    • Zambia:
      • Over The Lands And The Oceans (#CrowdStudio feat. Flying Bantu: Nature)
      • Tushange Isamu (Mosi Oa Tunya Band: Trees [2016])
    • Mozambique:
      • Somos Academia (Peri Urban “Spice Girls”: Girls Empowerment & Conservation Agriculture)
  • Visited Phelisanong Children’s Center (a home for orphans and disabled children) for some musical fun
  • Planted trees with King Letsie III of Lesotho
  • Joined and documented a community cleanup in Morija, Lesotho
  • Conducted a successful research project to quantify our impact
  • Created our first documentary film, Our Music, Our Environment (link to teaser)
  • Registered our first satellite organization, Conservation Music Lesotho
  • Received our first corporate funding, from Metropolitan Lesotho
  • Won our first contract from a large international NGO
  • Received a sponsorship of 5 guitars from Mitech Direct
  • Increased our network in all locations listed above, plus the eastern cape of South Africa
  • Met with stakeholders in Cape Town to plan launch of 2018 Kaapstad to Kilimanjaro Expedition
  • Began planning for Expedition #K2K

It was truly an honor to work alongside so many wonderful partners and individuals to create impactful, beautiful works of art with a message! A beautiful chapter in the story of our vision for a global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

As you can see, we stayed busy in 2017, and 2018 is no different. This year we’ve planned a 13-month sea-to-summit caravan from Cape Town’s drying coast to Kilimanjaro’s melting glacier, forming partnerships with eco-NGOs and musicians along the way. This eco-musical expedition intends to amplify the messaging of all of our NGO partners, both locally and globally, and to empower our fellow musicians with knowledge that they can use to foster better futures for their communities, their country, and the world.

To learn more about our upcoming Expedition #K2K, and to join us in making this impactful effort possible by partnering, supporting, or referring your friends and your colleagues to such opportunities, please visit the Kaapstad to Kilimanjaro website and get in touch!

Thank you for your interest and gracious support thus far… I look forward to taking you on this next journey with us through social media posts (facebook, insta, twitter), our webseries, and of course, through this blog and other platforms of the National Geographic Society.

All my best,

 

 

 

Alex Paullin
Founder, Conservation Music

Get In Touch with Alex and Conservation Music:

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