southern africa Archives – Conservation Music

Lesotho

Lesotho

Overview

 Often called “The Kingdom in the Sky,” or, “The Roof of Africa,” Lesotho is a landlocked country completely encased by South Africa. This mountainous kingdom is comprised primarily of highland plateaus, causing many villages to be isolated–reachable only by light aircraft, horseback, or on foot. The Kingdom of Lesotho has a population of 2.2 million people.

Arts and Humanities

 The people of Lesotho speak primarily Sesotho and English.  The Sesotho language has an extensive written body of literature as it was one of the earliest African languages to emerge in written form.  Thus, music, dance and literature are often combined in traditional Sotho performances.  These cultural productions often weave the retelling of ancient folktales with chanting, singing, clapping and high-kicking dances. Stringed instruments, whistles, rattles and drums are just some of the instruments that grace traditional Sotho performances.  

Environmental Conditions

 Lesotho is a developing country. Thus, the survival of its people is heavily reliant on its natural resources. The highlands that comprise most of Lesotho are environmentally harsh. As such, the lowlands of this alpine country have very limited agricultural space.  Lesotho is heavily dependent on South Africa.  The Lesotho Highlands Water Project (“LHWP”) was fully initiated in the 1990s.  The primary purpose of LHWP is to transfer water to South Africa.  Although proceeds from this project account for 75% of Lesotho’s budget, as a result of recent droughts, the country has seen its crops wither as its water is transported to South Africa.  Due to uncontrolled grazing and rushing surface water, much of Lesotho has been stripped of its natural grass cover. Desertification, soil erosion and soil exhaustion are major problems in Lesotho.  Additionally, unlike in South Africa, the game and wildlife indigenous to Lesotho is sparse.

Leadership

 Lesotho’s head of state is King Letsie III, but the monarch has no executive or legislative powers.  The prime minister of Lesotho is Pakalitha Mosisili I.  Mr. Mosisili’s Democratic Congress formed Lesotho’s second consecutive coalition government.

Media Profile

 Lesotho’s most popular entertainment medium is radio. Residents of Lesotho can receive domestic stations as well as TV and radio broadcasts from South Africa.  Radio Lesotho is the kingdom’s only national station.  However, commercial and private radio broadcasts are on air as well.  Media freedom is generally respected in Lesotho and private press is allowed to voice opposition views.  Of the 2.2 million residents of Lesotho, there were less than 84,000 internet users by December of 2011.

Our Lesotho Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Botswana

Botswana

Overview

 With a population of two million people, the Republic of Botswana is positioned in the center of Southern Africa.  It is situated in a sand-filled basin consisting of plains and gently sloping hills that rise into the highlands of its neighboring countries.  Botswana is lush with animal life and is home to more than 800 different species of mammals, birds, amphibians and reptiles.  Before its independence from British control in 1966, Botswana was one of the most undeveloped, poverty-stricken states in the world.  However, since gaining independence, the peace and prosperity of this republic has greatly increased.  Botswana is now internationally renowned as one of the most peaceful, stable democratic states in Africa.

Arts and Humanities

Currently, Tswana is Botswana’s dominant ethnic identity.  Although English is the official language of Botswana, Setswana is widely spoken in the republic.  The culture of Botswana is a mixture of Tswana and English heritage.  Traditional music in Botswana is largely based around stringed instruments.  Though interest in traditional music and dance declined in popularity during Botswana’s colonial period, it revived after the republic gained independence. This can especially be seen in music on the radio.   

Environmental Conditions

 Botswana’s climate is marked by months of dry weather.  The rainy season is limited to sporadic downpours in December through March. Botswana suffers from cyclic droughts which occur every two decades and frequently last up to six years. As such, very little soil is suitable for cultivation, harvests are often destroyed and livestock frequently die of starvation. Due to drought, the population of Botswana is entirely dependent on groundwater.  Although the use of groundwater eases the effects of drought, it has greatly harmed Botswana’s land. Drilling in order to retrieve groundwater is commonplace. Such drilling leads to harmful erosion and desertification.  Out of all Southern Africa, Botswana is one of the countries most severely affected by desertification in the Kalahari Region.  

Leadership

 Botswana’s government is a multi-party democracy. The republic has very little corruption and has a good record of defending human rights. Botswana’s current president is Sereetsi Khama Ian Khama.

Media Profile

 Radio is an important medium in Botswana as the circulation of media is limited outside the urban sectors of the country. Botswana has a tradition of unimpeded, public debate via radio.  In fact, the republic’s constitution provides for the freedom of expression–a freedom that is generally respected by the government.  Satellite pay TV is available in the republic along with the state-run Botswana Television (BTV). By 2011, there were about 167,000 internet users in Botswana.

Our Botswana Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Zambia

Overview

 The butterfly-shaped country of Zambia is perched on a high plateau in south-central Africa. This country is named after the Zambezi River, which winds through most of the land.  Zambia is dissected by swamps, river-valleys and lakes and is etched by the ancient crystalline rocks and that grace its plateaus.   

Arts and Humanities

 The major languages in Zambia are English (the official language), Bemba, Lozi, Nyanja and Tonga. The arts are a major part of Zambian culture as music, dancing and singing are often connected with security, health and prosperity.  Music is used in tribal rituals, celebrations and for entertainment. The most widely used musical instrument in Zambia is the drum.  Other popular instruments include, horns, bows, pipes, flutes, bells, rattles, xylophones and the kalimba, also known as the mbira, thumb piano, or African piano. 

Environmental Conditions

 The temperature of Zambia is generally favorable for human settlement and agriculture.  Two-fifths of Zambia is environmentally protected and the country is known for its large variety of mammals.  However, wildlife has been depleted in recent times due to human activities outside the parks and poaching within. For example, the Illegal poaching of horns and tusks has virtually eliminated rhinoceros from Zambia and has greatly reduced the number of elephants. As one of Africa’s most industrialized countries, Zambia suffers from air pollution and acid rain. Additionally, inadequate water-treatment facilities pose great health risks to citizens of this country, which has one of the fastest growing populations in the world.  Zambia currently has a population of 13 million, two-thirds of which live in poverty.

Leadership

 Unlike most of its neighbours, Zambia has remained relatively free of war and upheaval and has a reputation for political stability. In January of 2015, Edgar Lungu became the sixth president of Zambia and gained a new term in August of 2016. President Lungu’s greatest challenge has been Zambia’s poverty and a slowing economy.

Media Profile

 Radio is Zambia’s main source of information. State-run radio and television dominate the media sector in Zambia in terms of availability. However, private television and radio stations have grown in number and popularity in recent years.  In fact, according to BBC, there are currently “scores of local radio stations” in Zambia. By 2014, Zambia had 2.3 million internet users.

Our Zambia Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Angola

Angola

Overview

 Angola is a large, southwestern land with a population of 24.3 million people.  This vast country is home to a wide variety of landscapes–boasting semi-desert shores,  rugged southern highlands, bustling northern cities and a thinly populated rainforest interior.   Although Angola is one of the major producers of oil in Africa, it still bears the scars of a 27-year civil war that devastated the country after its independence.  

Arts and Humanities

The official language of Angola is Portuguese, but many Angolans speak Bantu languages along with Umbundu, Kimbundu and Kikongo.  Angolan culture is a mixture of Portuguese and African traditions and music has a central role in Angolan life. The drum is often highlighted in Angolan music. Other noteworthy instruments are the mpungu, a trumpet, and the hungu and mbulumbumba, types of gourd resonated with a musical bow.  Sadly, the civil unrest and resulting poverty that has ravaged Angola has provided little opportunities for musical professionals. In fact, the Ministry of Culture has had tight-fisted control over Angola’s production of commercial music since the country’s independence. However, despite these barriers, the informal sectors of musical expression have blossomed and flourished in Angola. Contemporary Angolan music weaves traditional African sounds with influences from Brazil, Cuba, the Caribbean and the United States.

Environmental Conditions

Angola is home to many species of fauna customarily found in Africa’s savanna lands, such as lions, elephants, and zebras, along with a rich variety of birds and reptiles. Until the late 1800s, portions of northern Angola were blanketed by a lush rainforest.  However, much of this rainforest has been drastically diminished by logging, agriculture and subsequent desertification. The country’s climate has a considerable dry season and its land is frequently afflicted by droughts, particularly in the south. As such, Two-thirds of Angola is now covered by savanna (scattered trees and grasslands) and deep deposits of infertile sands. Its biodiversity has been gravely threatened. Additionally, because of Angola’s inadequate infrastructure and swelling population, food and potable water are  scarce, particularly in rural areas.


Leadership

Angola has suffered a long history of political unrest.  After Portuguese colonial masters withdrew from Angola in 1975, rival independence movements fought for power up until 2002.  Decades-long separatist conflicts still simmer in Angola.  Abuses against civilians have been alleged by human rights groups. Jose Eduardo dos Santos has been in power in Angola since 1979. President dos Santos has a strict control over all aspects of political life in Angola.

Media Profile

The internet has become the primary medium for expression in Angola and in 2014, there were 4.3 million internet users. However, In 2015, President dos Santos called for stricter regulation of social media to crack down on political activism and dissent. Radio is now the most influential form of media outside the capital of Angola, but, the state controls all media nationwide. The state-run Radio Nacional de Angola (“RNA”) is the only radio station that offers programs in indigenous languages. Although RNA is the only broadcaster that has almost national coverage, private stations operate in cities and the Angolan constitution provides for the freedom of expression.

Our Angola Portfolio

Coming soon… “Natureza” by Banda Progresso, brought to you by the National Geographic Okavango Wilderness Project.

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Swaziland

Swaziland

Overview

 The Kingdom of eSwatini is home to 1.2 million people and has the highest HIV rate in the world. It is a landlocked kingdom in the eastern part of Southern Africa.  eSwatini is adorned by rugged mountains, river valleys, rolling uplands, high plateaus and African savannah.

Arts and Humanities

Most of the inhabitants of eSwatini reside in the countryside, lead traditional lifestyles and speak English and/or Swati. Most Swati ceremonies incorporate dancing, music and song. Most traditional instruments are simple in design. Popular instruments include the kudu horn, reed flute, rattles made of seedpods and attached to wrists and ankles and a calabash attached to a bow.

Environmental Conditions

eSwatini’s climate is mostly subtropical. Savannah, grassland and forests comprise the natural vegetation of this kingdom. eSwatini is abounding in flora and is home to over 2,600 species of flowering plants. However, the natural fauna of eSwatini has been severely diminished due to a growing human population and resulting habitat destruction. As such, mammals such as elephants, hippopotamus, antelope, rhinoceros, giraffe and zebra can only be found primarily in protected reserves.    


Leadership

Swaziland is one of the last absolute monarchies in the world. King Mswati, III became king in 1986.  King Mswati is known as “the lion” and often appears in traditional dress when in public. The King has often been criticised for using public funding for personal palaces and cars, especially as Swaziland’s economy falters.

Media Profile

The state has a tight-fisted control over the media and the broadcasting scene is dominated by government-run outlets. Freedom of expression is severely restricted. Journalists are frequently attacked and threatened by authorities. Although the government does not restrict internet access, few Swatis can afford to go online. In December 2011, there were only a little more than 95,000 internet users. However, South African media is accessible in eSwatini.

Our eSwatini Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

sadc Archives – Conservation Music

Lesotho

Lesotho

Overview

 Often called “The Kingdom in the Sky,” or, “The Roof of Africa,” Lesotho is a landlocked country completely encased by South Africa. This mountainous kingdom is comprised primarily of highland plateaus, causing many villages to be isolated–reachable only by light aircraft, horseback, or on foot. The Kingdom of Lesotho has a population of 2.2 million people.

Arts and Humanities

 The people of Lesotho speak primarily Sesotho and English.  The Sesotho language has an extensive written body of literature as it was one of the earliest African languages to emerge in written form.  Thus, music, dance and literature are often combined in traditional Sotho performances.  These cultural productions often weave the retelling of ancient folktales with chanting, singing, clapping and high-kicking dances. Stringed instruments, whistles, rattles and drums are just some of the instruments that grace traditional Sotho performances.  

Environmental Conditions

 Lesotho is a developing country. Thus, the survival of its people is heavily reliant on its natural resources. The highlands that comprise most of Lesotho are environmentally harsh. As such, the lowlands of this alpine country have very limited agricultural space.  Lesotho is heavily dependent on South Africa.  The Lesotho Highlands Water Project (“LHWP”) was fully initiated in the 1990s.  The primary purpose of LHWP is to transfer water to South Africa.  Although proceeds from this project account for 75% of Lesotho’s budget, as a result of recent droughts, the country has seen its crops wither as its water is transported to South Africa.  Due to uncontrolled grazing and rushing surface water, much of Lesotho has been stripped of its natural grass cover. Desertification, soil erosion and soil exhaustion are major problems in Lesotho.  Additionally, unlike in South Africa, the game and wildlife indigenous to Lesotho is sparse.

Leadership

 Lesotho’s head of state is King Letsie III, but the monarch has no executive or legislative powers.  The prime minister of Lesotho is Pakalitha Mosisili I.  Mr. Mosisili’s Democratic Congress formed Lesotho’s second consecutive coalition government.

Media Profile

 Lesotho’s most popular entertainment medium is radio. Residents of Lesotho can receive domestic stations as well as TV and radio broadcasts from South Africa.  Radio Lesotho is the kingdom’s only national station.  However, commercial and private radio broadcasts are on air as well.  Media freedom is generally respected in Lesotho and private press is allowed to voice opposition views.  Of the 2.2 million residents of Lesotho, there were less than 84,000 internet users by December of 2011.

Our Lesotho Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Botswana

Botswana

Overview

 With a population of two million people, the Republic of Botswana is positioned in the center of Southern Africa.  It is situated in a sand-filled basin consisting of plains and gently sloping hills that rise into the highlands of its neighboring countries.  Botswana is lush with animal life and is home to more than 800 different species of mammals, birds, amphibians and reptiles.  Before its independence from British control in 1966, Botswana was one of the most undeveloped, poverty-stricken states in the world.  However, since gaining independence, the peace and prosperity of this republic has greatly increased.  Botswana is now internationally renowned as one of the most peaceful, stable democratic states in Africa.

Arts and Humanities

Currently, Tswana is Botswana’s dominant ethnic identity.  Although English is the official language of Botswana, Setswana is widely spoken in the republic.  The culture of Botswana is a mixture of Tswana and English heritage.  Traditional music in Botswana is largely based around stringed instruments.  Though interest in traditional music and dance declined in popularity during Botswana’s colonial period, it revived after the republic gained independence. This can especially be seen in music on the radio.   

Environmental Conditions

 Botswana’s climate is marked by months of dry weather.  The rainy season is limited to sporadic downpours in December through March. Botswana suffers from cyclic droughts which occur every two decades and frequently last up to six years. As such, very little soil is suitable for cultivation, harvests are often destroyed and livestock frequently die of starvation. Due to drought, the population of Botswana is entirely dependent on groundwater.  Although the use of groundwater eases the effects of drought, it has greatly harmed Botswana’s land. Drilling in order to retrieve groundwater is commonplace. Such drilling leads to harmful erosion and desertification.  Out of all Southern Africa, Botswana is one of the countries most severely affected by desertification in the Kalahari Region.  

Leadership

 Botswana’s government is a multi-party democracy. The republic has very little corruption and has a good record of defending human rights. Botswana’s current president is Sereetsi Khama Ian Khama.

Media Profile

 Radio is an important medium in Botswana as the circulation of media is limited outside the urban sectors of the country. Botswana has a tradition of unimpeded, public debate via radio.  In fact, the republic’s constitution provides for the freedom of expression–a freedom that is generally respected by the government.  Satellite pay TV is available in the republic along with the state-run Botswana Television (BTV). By 2011, there were about 167,000 internet users in Botswana.

Our Botswana Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Zambia

Overview

 The butterfly-shaped country of Zambia is perched on a high plateau in south-central Africa. This country is named after the Zambezi River, which winds through most of the land.  Zambia is dissected by swamps, river-valleys and lakes and is etched by the ancient crystalline rocks and that grace its plateaus.   

Arts and Humanities

 The major languages in Zambia are English (the official language), Bemba, Lozi, Nyanja and Tonga. The arts are a major part of Zambian culture as music, dancing and singing are often connected with security, health and prosperity.  Music is used in tribal rituals, celebrations and for entertainment. The most widely used musical instrument in Zambia is the drum.  Other popular instruments include, horns, bows, pipes, flutes, bells, rattles, xylophones and the kalimba, also known as the mbira, thumb piano, or African piano. 

Environmental Conditions

 The temperature of Zambia is generally favorable for human settlement and agriculture.  Two-fifths of Zambia is environmentally protected and the country is known for its large variety of mammals.  However, wildlife has been depleted in recent times due to human activities outside the parks and poaching within. For example, the Illegal poaching of horns and tusks has virtually eliminated rhinoceros from Zambia and has greatly reduced the number of elephants. As one of Africa’s most industrialized countries, Zambia suffers from air pollution and acid rain. Additionally, inadequate water-treatment facilities pose great health risks to citizens of this country, which has one of the fastest growing populations in the world.  Zambia currently has a population of 13 million, two-thirds of which live in poverty.

Leadership

 Unlike most of its neighbours, Zambia has remained relatively free of war and upheaval and has a reputation for political stability. In January of 2015, Edgar Lungu became the sixth president of Zambia and gained a new term in August of 2016. President Lungu’s greatest challenge has been Zambia’s poverty and a slowing economy.

Media Profile

 Radio is Zambia’s main source of information. State-run radio and television dominate the media sector in Zambia in terms of availability. However, private television and radio stations have grown in number and popularity in recent years.  In fact, according to BBC, there are currently “scores of local radio stations” in Zambia. By 2014, Zambia had 2.3 million internet users.

Our Zambia Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Angola

Angola

Overview

 Angola is a large, southwestern land with a population of 24.3 million people.  This vast country is home to a wide variety of landscapes–boasting semi-desert shores,  rugged southern highlands, bustling northern cities and a thinly populated rainforest interior.   Although Angola is one of the major producers of oil in Africa, it still bears the scars of a 27-year civil war that devastated the country after its independence.  

Arts and Humanities

The official language of Angola is Portuguese, but many Angolans speak Bantu languages along with Umbundu, Kimbundu and Kikongo.  Angolan culture is a mixture of Portuguese and African traditions and music has a central role in Angolan life. The drum is often highlighted in Angolan music. Other noteworthy instruments are the mpungu, a trumpet, and the hungu and mbulumbumba, types of gourd resonated with a musical bow.  Sadly, the civil unrest and resulting poverty that has ravaged Angola has provided little opportunities for musical professionals. In fact, the Ministry of Culture has had tight-fisted control over Angola’s production of commercial music since the country’s independence. However, despite these barriers, the informal sectors of musical expression have blossomed and flourished in Angola. Contemporary Angolan music weaves traditional African sounds with influences from Brazil, Cuba, the Caribbean and the United States.

Environmental Conditions

Angola is home to many species of fauna customarily found in Africa’s savanna lands, such as lions, elephants, and zebras, along with a rich variety of birds and reptiles. Until the late 1800s, portions of northern Angola were blanketed by a lush rainforest.  However, much of this rainforest has been drastically diminished by logging, agriculture and subsequent desertification. The country’s climate has a considerable dry season and its land is frequently afflicted by droughts, particularly in the south. As such, Two-thirds of Angola is now covered by savanna (scattered trees and grasslands) and deep deposits of infertile sands. Its biodiversity has been gravely threatened. Additionally, because of Angola’s inadequate infrastructure and swelling population, food and potable water are  scarce, particularly in rural areas.


Leadership

Angola has suffered a long history of political unrest.  After Portuguese colonial masters withdrew from Angola in 1975, rival independence movements fought for power up until 2002.  Decades-long separatist conflicts still simmer in Angola.  Abuses against civilians have been alleged by human rights groups. Jose Eduardo dos Santos has been in power in Angola since 1979. President dos Santos has a strict control over all aspects of political life in Angola.

Media Profile

The internet has become the primary medium for expression in Angola and in 2014, there were 4.3 million internet users. However, In 2015, President dos Santos called for stricter regulation of social media to crack down on political activism and dissent. Radio is now the most influential form of media outside the capital of Angola, but, the state controls all media nationwide. The state-run Radio Nacional de Angola (“RNA”) is the only radio station that offers programs in indigenous languages. Although RNA is the only broadcaster that has almost national coverage, private stations operate in cities and the Angolan constitution provides for the freedom of expression.

Our Angola Portfolio

Coming soon… “Natureza” by Banda Progresso, brought to you by the National Geographic Okavango Wilderness Project.

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

Swaziland

Swaziland

Overview

 The Kingdom of eSwatini is home to 1.2 million people and has the highest HIV rate in the world. It is a landlocked kingdom in the eastern part of Southern Africa.  eSwatini is adorned by rugged mountains, river valleys, rolling uplands, high plateaus and African savannah.

Arts and Humanities

Most of the inhabitants of eSwatini reside in the countryside, lead traditional lifestyles and speak English and/or Swati. Most Swati ceremonies incorporate dancing, music and song. Most traditional instruments are simple in design. Popular instruments include the kudu horn, reed flute, rattles made of seedpods and attached to wrists and ankles and a calabash attached to a bow.

Environmental Conditions

eSwatini’s climate is mostly subtropical. Savannah, grassland and forests comprise the natural vegetation of this kingdom. eSwatini is abounding in flora and is home to over 2,600 species of flowering plants. However, the natural fauna of eSwatini has been severely diminished due to a growing human population and resulting habitat destruction. As such, mammals such as elephants, hippopotamus, antelope, rhinoceros, giraffe and zebra can only be found primarily in protected reserves.    


Leadership

Swaziland is one of the last absolute monarchies in the world. King Mswati, III became king in 1986.  King Mswati is known as “the lion” and often appears in traditional dress when in public. The King has often been criticised for using public funding for personal palaces and cars, especially as Swaziland’s economy falters.

Media Profile

The state has a tight-fisted control over the media and the broadcasting scene is dominated by government-run outlets. Freedom of expression is severely restricted. Journalists are frequently attacked and threatened by authorities. Although the government does not restrict internet access, few Swatis can afford to go online. In December 2011, there were only a little more than 95,000 internet users. However, South African media is accessible in eSwatini.

Our eSwatini Portfolio

OUR MISSION

To build a global network of musicians and youth volunteers to deliver environmental education through the catalytic power of music.

OUR VISION

A global community that stewards the Earth, in which the memorable, emotional, and unifying power of music contributes to the balance between humankind, nature, and society.

FOLLOW US

Newsletter

A Harmonious Resistance Creates Global Solidarity for Standing Rock – Conservation Music

A Harmonious Resistance

For more than a year, the Standing Rock Sioux Tribe has been at war with natural gas’s close comrade, Energy Transfer Partners (ETP), over the development of the controversial $3.8 billion Dakota Access Pipeline, which has frequently been referred to as “DAPL.” (Many resistance members call it “the Black Snake.”) The approved project designs developed by the U.S. Army Corps of Engineers (USACE) and supported by the U.S. Government, have allowed ETP to push all the way through the state of North Dakota down to the edge of the Missouri River.  

Despite their clear-cut plans, an unanticipated tribe of Native Americans sparked a spiritual resistance residing within the Sacred Stone and Oceti Sakowin campgrounds. The movement gained public attention and increased energy due to the high risk of a pipeline burst. If a leak were to occur, it could then contaminate drinking water for millions of people. As you can see, no longer was this just a local issue, environmental and human rights activists filed in from all over the world calling themselves the “Water Protectors.”

Weapons of Peace

As tensions began to rise, support on both sides developed further and further. Tens of thousands of people joined the camps in solidarity of the Standing Rock Sioux Tribe, while police departments from surrounding states joined forces and ramped up their control tactics. With little physical chance against the onslaught of high-powered water hoses, rubber bullets, tear gas, and sound cannons, the water protectors decided to fight back through strong beliefs in the ability of music, dance and prayer to call on spiritual support. In many Native American cultures, it is commonly believed that their music has been passed down from the time of creation and has carried on many spirits of its past. Through playing this music the tribes trusted that they were able to connect with these spirits and call on them for support in a time of need. Supported by the power of the people, they began using music to call in assistance from all realms of existence.

The strumming chords, beating drums and singing loud voices vibrated through the mountains, valleys and rivers, activating a new beat in the hearts of thousands around the world. Peaceful protests and rallies sparked like a raging wildfire. At one point, herds of wild buffalo serendipitously stormed the fields during a tense period between police and protesters. Writers, photographers, videographers, actors and musicians were flocking in to support and contribute their efforts towards fighting the well-oiled DAPL machine. They played at benefit concerts, posted YouTube videos and created hashtags such as #WaterIsLife and #DefendTheSacred in order to stimulate a global movement.

Conservation Music was able to sit down with Max Ribner, an avid water protector and brass musician for the massively popular band Nahko and Medicine for the People, to speak on the power of music at Standing Rock. While travelling around the world, Max speaks to music venues, audiences and local communities on the importance of clean water and the “ripple effect” that they can create by “looking at their water locally, their local Standing Rock.” He believes that art, especially music, is very pivotal in relaying a message and inspiring others because “the sounds and tones take people to a different dimension, by binding them together and allowing them to look past the spectrums of diversity.”

Max strongly feels that the movement did not end at Standing Rock, and that “the water issue is not at one place, it is in thousands of places that need to be protected in this country, and outside of this country.” He trusts that “music has a way to weave, and that weaving basically creates a spark in someone’s body or their consciousness to actually do something.”

Another iconic musician that was involved with, and unexpectedly visited, Standing Rock was Dave Matthews. He had been assigned a visit to the Standing Rock Sioux tribe’s school as part of an Obama-administration program, and as he said, “I was just somebody who wanted to use some of my strength as an artist to inspire some kids, that proximity [to the pipeline] was completely coincidental (Greene, 2016.) After witnessing peaceful protestors experiencing intense resistance from the police forces, Dave knew he had to be a voice for the voiceless. He did just that by organizing a benefit concert, in which all of the proceeds went towards supporting the efforts of resistance throughout the brutal winter. It was through these peaceful tactics and a global showing of solidarity, that the water protectors were able to remain strong against the unlikely odds.

The Final Setback

Shortly after the Presidential Inauguration, President Trump signed the documents that the USACE needed in order to advance the review and approval process for the section of DAPL that has yet to be built. After issuing a final evacuation date of February 22nd, the camps were raided by armed forces and any remaining campers were arrested. Despite the outcome, the water protectors have counted this one as a victory. The battle at Standing Rock is being viewed as the beginning to a global movement of standing up for clean water and indigenous rights. Communities around the globe are prepared to ride this wave by continuing the fight through financial and legal approaches. Many individuals have already divested from banks that are invested in the pipeline, in order to “gut the snake.” This tactic has been mimicked at a larger scale by several cities divesting from these banks as well. Musicians, such as Nahko Bear of Medicine for the People and Taboo of the Black Eyed Peas, are also remaining involved by creating songs dedicated towards raising awareness. The #NoDAPL movement has climbed many mountains in order to inspire and awaken millions of people towards fighting for what is right. A wave of renewal and awakening is spreading, creating space for the teachers, musicians, writers, artists and activists to rise and make a difference.


RT if you believe in the power of music to #StandUpforStandingRock ! #WaterIsLife #NoDAPL @ConservationMusic http://on.natgeo.com/2mSnUhF
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This post was written by Charles Ross for Conservation Music.

About Conservation Music

Our Musical Nonprofit For Conservation
of Conservation Music

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info@conservationmusic.org

Conservation Music is on a mission to produce and promote musical media that educates listeners and viewers in conservation and sustainability, with an emphasis on rural developing communities, and to serve as a platform for similar efforts. Currently, the organization primarily collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more.

About the Editor

Alex Paullin

of Conservation Music

Facebook Twitter Instagram Linkedin

info@conservationmusic.org

After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger. Throughout his life he aims to expand the Conservation Music movement globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

 

 

 

Sources:

Chappell, B. (2017, February 09). Tribe Reportedly Files Legal Challenge To Dakota Access Pipeline. Retrieved March 03, 2017, from http://www.npr.org/sections/thetwo-way/2017/02/09/514317352/tribe-reportedly-files-legal-challenge-to-dakota-access-pipeline

Donnella, L. (2017, January 25). Dakota Access Pipeline Foes: We Aren’t Done Fighting Yet. Retrieved March 03, 2017, from http://www.npr.org/sections/codeswitch/2017/01/25/511476889/dakota-access-pipeline-foes-we-arent-done-fighting-yet

Hersher, R. (2017, January 24). Trump’s Move On Keystone XL, Dakota Access Outrages Activists. Retrieved March 04, 2017, from http://www.npr.org/sections/thetwo-way/2017/01/24/511411653/trumps-move-on-keystone-xl-dakota-access-outrages-activists

Greene, A. (2016, November 17). How Musicians Are Joining Fight at Standing Rock. Retrieved March 04, 2017, from http://www.rollingstone.com/music/features/how-musicians-are-aiding-standing-rock-protests-w450699

Levine, V. L. (2014, January 31). Native American music. Retrieved March 04, 2017, from https://www.britannica.com/art/Native-American-music

Imagery:

Photo 1: Taken by Charles Ross

Photo 2: Stands with Standing Rock! Peaceful March & Rally Seattle, WA. Taken by John Duffy is licensed under CC BY 2.0

Photo 3: Provided by Max Ribner

Photo 4: Taken by Avery White, Uploaded by Paul Weaver. Source

How Music Inspires and Empowers Rural Africans to Steward Their Environment – Conservation Music

The Power Of Music

We all have a song that we never forget. Maybe it carried us through tough times. Or perhaps it reminds us of good times we’ve had. It may have taught us an important lesson… maybe even at just the right time in our life. Whatever the reason, it stays with us.

Music is complicated. With no single home in the brain, it sparks various zones simultaneously, a symphony of synapses firing on cue, as conducted by your own individual mind. Together with the artist you are listening to, you are painting a singular image… one that encapsulates your thoughts and your emotions at once. This leaves an imprint on your psyche that’s remarkably hard to forget.

Music is simple. Since we began our human journey, music has stood the test of time as a fundamental universal language. Song and dance bring us together in spite of our differences, giving us something to share regardless of our means. We can use it to help clear our minds and focus. We can use it to inspire our minds with ideas. We can use it to help us move on from the thoughts that don’t serve us. We can use it to help us remember ones that do, and to teach them to others. It just works.

Our auditory systems, our nervous systems, are indeed exquisitely tuned for music.

As Oliver Sacks, acclaimed neurologist and author of the bestseller Musicophilia says, “Our auditory systems, our nervous systems, are indeed exquisitely tuned for music.” So I ask you this: if we’re so well attuned to music, and we use it in so many ways, aren’t there other ways to use it? Can we harness the emotional power, memorability, and universality of music to an even greater end?

Children-in-Seronga-with-homemade-guitars

Those Who Need It Most

Ever had a bad day and improved it by listening to the same song on repeat? Music alleviates suffering, even if it’s only as long as the music lasts. Is there a way to use music to alleviate suffering long-term, and not only suffering of the mind? Can we harness its characteristics to alleviate the suffering of those for whom suffering is a way of life? Can music provide those in poverty with the means to take action, and to gain the crucial knowledge that will lead them to be part of the global solution? Furthermore, can it give them a voice within our often lofty global conversations?

We are living in a world in which the people who are bearing the brunt of the backlash for humanity’s decades of decadence have contributed the least to it. On top of this, they know the least about it, as a result of lack of access to the wealth of information that those of us reading this blog have at our fingertips. And even if they did have information regarding the local, landscape, national, regional, continental and global issues that they face, they have few or no systems in place to be able to ignore them, adapt, or even survive.

An ethos and a knowledge of sustainable development is increasingly crucial for all of us. However, there are many families for whom falling out of balance with the earth that sustains them has grave and immediate consequences. As an informed scientific community, can we reach them with research alone? What bridges the gap between research and learning for those who are lucky to be able to read? For those whose history is riddled with abuse by those who quested for such worldly knowledge in less culturally sensitive times?

We believe in the power of music.

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Bringing Environmental Knowledge

Conservation Music is a 501(c)3 nonprofit organization on a mission to teach and inspire the world to live environmentally sustainable lifestyles through the power of music, with a special focus on rural, uninformed subsistence communities in the developing world. This includes outlining specific steps to take to better steward the earth as subsistence community members, as well as promoting a general environmental ethic.

We collaborate with artists around the world to compose, record, produce, and create music videos for songs of sustainability in local styles and local languages about local conservation issues. We then seek to add to the global appeal of these songs, to reach the world with inspiring messages from these countries.

We seek to empower the voices of rural musicians and national celebrities alike to reach many thousands of people with messages that everyone needs to hear, broadcast nationally via radio and television, and globally via new media and media partners. In collective harmony, we are planting the seeds of a brighter future in the hearts and the minds of each individual listener, musician, and partner.

The village is the focus, and the world is the stage. Conservation Music first and foremost seeks to reach the communities needing ideas for sustainable living the most. But our impact doesn’t end at the edge of the village. Our rural friends are becoming part of the solution, and their voices can and will inspire other people all around the world.

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Conservation Music is very excited to join the conversation at National Geographic Voices.
Thank you for reading our first post on this platform, please tell your friends! And stay tuned for:

  • More posts about the power of music and the arts to play active roles in shaping our world for the better
  • Songs and music videos from Africa and all around the world
  • An upcoming webseries and missives from the field as we adventure across Southern Africa and collaborate with local musicians
  • Virtual Reality experiences – join us in the field and in the studio as we harness the power of music to teach conservation!
  • Partnerships with the National Geographic Okavango Wilderness Project and many other dedicated conservation groups in Southern Africa
  • (Long term) Our expansion into other developing countries all over the world!

You can learn more about Conservation Music at www.conservationmusic.org and on social media on Facebook, Twitter, and Instagram! If you’d like to partner, contribute, or otherwise get involved with Conservation Music, please email info@conservationmusic.org. Thank you! ~Alex

About the Author
ZambiaConcertMosiOaTunyaJokerJoka

Alex Paullin
of Conservation Music

Facebook Twitter Instagram Linkedin
info@conservationmusic.org
After years of soul-searching and months in the African wilderness with the National Geographic Okavango Wilderness Project, musician and geographer Alex Paullin combined his foremost passions and founded Conservation Music, a non-profit aiming to foster a global culture of sustainability using music as the messenger.

Currently, the organization collaborates with musicians throughout Southern Africa, catalyzing songs in local genres and local languages regarding local conservation issues in countries like Lesotho, Botswana, Angola, and more. Throughout his life he aims to expand the project globally, in hopes that his lifetime will see and hear songs of conservation being sung throughout the world.

Source: CM NatGeo Voices

On Returning to America – Conservation Music

It’s been two months since I arrived near Washington, D.C. to be greeted by my family. This has been a tumultuous time in America. Civil liberties are churning, ebbing and flowing as outraged citizens march to protect them and an unwilling government seeks to rescind them. National lands being made ripe for the picking by fossil fuel, timber, and mineral companies… A plan to abandon the United Nations… The White House Climate Change website replaced by promises to drill… All EPA grants frozen and employees banned from posting online or speaking to reporters …For those of us working globally towards progress and balance for the Earth and its people, it is a very bleak beginning to an era that’s only just begun, with truly international implications.

But at Conservation Music we are only getting started with our mission. Now more than ever, the grassroots must rise up to eclipse the actions and views of misguided positions of power. We’ve just completed 2016, the third consecutive hottest year on record, and many are still blind to it. Some blind themselves willingly. But many of the ones struggling to get by in the developing world truly don’t know any better. Through the unifying power of music, we can spread sustainability to those who need it most in increasingly difficult times.

2017 is shaping up to be an incredible year for our team and our supporters. We’re in the midst of an increasingly successful crowd-sourced fundraising season, including online giving (click here!), numerous checks being written to Conservation Music and sent to our address, and incredible benefit concerts all across the State of Virginia! Take a look at those events below:

In addition to our grassroots fundraising efforts, we’re forming important partnerships and applying for grants. We’ve grown from a one-man motorcycle operation to a team of volunteers from all walks of life. We’ve structured our organization and are constantly becoming more efficient, and we’re finishing projects from 2016 to start our 2017 slate fresh. And oh, what a beautiful slate it will be… we depart the first week of April!

Make no mistake, while we are excited for our organization’s development and goals, we are also witnessing the start of what may be a very dark time for global conservation and sustainable development. But as a community of musicians, producers, photographers, filmmakers, writers, and creatives of all sorts, we at Conservation Music and our partners are doing our best part to continue the momentum of positive change for the future.

If you want to get involved, click on the links below:

Thanks and Godspeed,

Alex Paullin

Founder/CEO/President

Lucky Stone – Conservation Music

Lucky Stone is a ragga/dancehall artist from Dar es Salaam, Tanzania. His positive energy and creativity are infectious! Lucky was nominated for the best reggae & ragga/dancehal artist during the 2014 Kili Music Awards. He also appeared in the reality TV show Maisha in 2009.

Lucky Stone – Conservation Music

Lucky Stone is a ragga/dancehall artist from Dar es Salaam, Tanzania. His positive energy and creativity are infectious! Lucky was nominated for the best reggae & ragga/dancehal artist during the 2014 Kili Music Awards. He also appeared in the reality TV show Maisha in 2009.

CMP Month In Review : August 2016 – Conservation Music

Featured Photo by Thalefang Charles for Cross Okavango Delta Expedition.

Okavango, Okavango, Okavango… The Conservation Music Project glided into August aboard a mokoro, a week after launching from its birthplace of Seronga with the Cross Okavango Delta Expedition (CODE) on July 25th. It was a scramble to reset and repack in Johannesburg after arriving from Zambia July 21st! (The Zambia project, Tushange Isamu, was done alongside Greenpop, a Cape Town-based environmental education and tree planting group. More on that in another post!)

The Creative Crossing

CODE 2016 marked the first official “Creative Crossing” of the Okavango Delta, in hopes of supplementing research efforts to understand and conserve the place with poetic and musical messages to bring more Batswana (people of Botswana) on board, as well as to inspire a global audience. As many of you know, the Conservation Music movement was crystalized in Angola, en route to the Delta, aboard a mokoro in 2015 with Dr. Steve Boyes’ Okavango Wilderness Project (OWP). At the time of this writing, the OWP crew is pulling their boats through the deep, muddy wilderness as the water that carried our crossing continues to drop during theirs. You can follow along with live updates at www.intotheokavango.org.

The CODE 2016 crossing was quite special… a group of 15 Batswana was joined by just a single foreign member, Conservation Music founder Alex. In general, the Delta is visited and run by either foreigners or white Botswana nationals, and one intention of CODE is to inspire more Batswana to visit and invest in this incredible national heritage site. Needless to say, it was an honor to be made the exception and join the team of creative celebrities, media professionals, and polers from Botswana to produce a song and music video throughout the two-week crossing.

EricPoleVideo still shot by Alex Paullin.

The song is entitled, “Okavango Oa Moxa,” which means “Okavango You Are Beautiful” in seYei, the mother tongue of famous four-string guitarist Stiger Sola, who was born into the lineage of the baYei, also known as the “Watshara,” or “The River People.” This tribe is said to have been the first to break into the Delta long ago, bringing 6-meter long wooden mekoro (mokoros) to enter the deep, wild paradise that the land-based KhoiSan bushmen in the region left alone.

Indeed, Stiger Sola himself was born inside that very wilderness… his aunt assisting his young mother to deliver him on an island, as his uncle waited aboard the mokoro, long ngashe pole in hand. They were still far from the village of Sharobe, the place where he was meant to be delivered, which would soon become his home. Thus a legend of Botswana was born in the heart of the same inspiration that our expedition was seeking…. We brought him back into the wild with a guitar.

Stiga River

Photo by Thalefang Charles for Cross Okavango Delta Expedition.

The other musical celebrity on board was HT Tautona, a Maun-born rapper who grew up on the cattle post but made his claim to fame in Gaborone, Botswana’s capitol. For HT this trip was like returning home, but finally seeing the Delta he grew on the edge of the right way… by mokoro, in the depth of its wilderness. His lyrics describe the overflow of emotions upon returning to this place “like a pen without ink” and being filled with inspiration to write. HT was a major team player and was easy to find helping in the kitchen.

HTKitchen

Photo by Thalefang Charles for Cross Okavango Delta Expedition.

Last but not least, as a surprise addition to the music team, multi-talented poet Leshie Lovesong spoke up during a fireside brainstorming jam session with a poem she had written, which now serves as a deeply emotional opening to the song. Once she was brought aboard the music team, she also lent her voice to the chorus, responding to Stiger’s calls of “Okavango, Okavango, Okavango” with Stiger’s own declarations to his mother, the Delta, of her lovable, everlasting, beautiful nature, and her role in his existence as “a way of life.” Leshie’s own way of life took quite a shock in the wilderness… prior the expedition she had never even been camping.

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Photo by Thalefang Charles for Cross Okavango Delta Expedition.

Conservation Music is extremely excited to be part of Botswana’s 50th anniversary celebrations. As we speak, the new song “Okavango O Moxa” is being registered with the Copyright Society of Botswana (COSBOTS) so that the artists involved can earn their royalties and protect their rights when this song hits the radio in September. The music video shot in the Delta is soon to follow, and will we broadcast on Botswana Television (BTV) and on Youtube and Vimeo. The song and video will also be made available on iTunes and Google Play soon!
Overall the Cross Okavango song project has been a resounding success. The tune is set to be a hit, the video will be made up of some incredible moments with people and wildlife out in the deep wilderness, and new opportunities are coming up rapidly as this project gains attention. We cannot wait to release this song and video, and hopefully do it all over again next year.

What’s Next On the Horizon?

In the meantime, lots of other things are happening too! For example:

Conservation Music Presents Sotho Sounds @ Rocking the Daisies

For instance, Conservation Music is preparing to bring our old friends the Sotho Sounds from Lesotho down to Cape Town for the massive Rocking the Daisies* music festival! The festival runs from the 7th-9th of October, and we’ll be rocking the Hemp Stage in the Green Village area on Saturday from 2-2:45pm. The Sotho Sounds are a group of rural musicians with enormous heart and talent, and we are extremely excited to give them the chance to perform for such an audience, and hopefully to sell some of their handcrafted merchandise!

FYI, preceding the festival opportunity, we are discussing a collaboration in Lesotho with an American celebrity musician. More on that soon!

SSCrawfurdPhoto by Jacob Crawfurd of Crawfurd Media.

Zambian Tree Song “Tushange Isamu” Release with Greenpop

Quite close to the release date for “Okavango O Moxa” in Botswana, we look forward to releasing the tree planting song and music video recorded in Livingstone, Zambia alongside Greenpop. In July, the song was composed and performed by the Mosi Oa Tunya band, alongside members of the Golden Leaf band as well as Conservation Music’s own Alex Paullin. September is Arbor Month, so this release is very relevant!

ZamStagePhoto by Lee-Ann Olwege.

Return to Angola with The Okavango Wilderness Project

Conservation Music looks forward to returning to Angola in October, following Rocking the Daisies festival in Cape Town. The Okavango Wilderness Project (OWP) is bringing several research teams to survey the Angolan catchments of the Okavango watershed. We are grateful for their continued enthusiasm regarding the power of music to foster conservation ethics in the minds of the people living in the region, where decades of aggression have scarred both the people and the landscape. The beauty and importance of the landscape there are something to be proud of, and we look forward to encouraging that pride alongside OWP and National Geographic.

AngoVidVideo still shot by Alex Paullin.

The Elephants’ Playground – Conservation Music

As soon as we beached on this island I named it the elephants’ playground… Dozens of tall, regal, royal fan palms dot the place, evermore dotting the ground with their fruit. I tasted this palm fruit today, which lived its life high off the ground, tucked away between its crunchy outer shell and the large ball of vegetable ivory within. As I write this, the trees that surround me are shaking the as elephants ram them to bring down these bittersweet morsels.

Two nights in a row now we’ve slept with the elephants near. Today I ate their fruit. Tonight I ponder if they will come visit me here. Last night they had already past when my head hit the pillow… but before my tent was up I had been with them like never before.

The images are clear in my mind… I will never forget, thus yet again I can relate to my elephant friends. The herd of fifteen-odd adults and adolescents with their two wobbly-trunked younglings in tow had just passed by our camp as the light became golden. I found a perch atop a standalone turret, a sandcastle built up by termites for years. I was hoping to watch the herd crossing the river en route to the flats near Jao Village, Djedibe, the place that made me think this afternoon that we would not see any wildlife this evening. From upon my tower I watched them turn towards me.

An elephant’s moment is longer than others, but to them it must have felt like an instant as I slowly felt my heartbeat picking up as they grew closer, tree by tree. Through the zoom lens of my camera I had watched from afar as they brought down a tree for the babies to eat from. At this point the naked eye was plenty to capture this larger-than-life moment… they were standing right in front of me.

The matriarch had given me her blessing. We had been making frequent eye contact as I focused my intention on peace, love, and respect for the herd. These emotions undeniably mingled with fear… what if the villagers nearby had been in conflict with these animals? Or if a young male in the herd had been spited that day? Or a mother grew defensive, or her mate had a toothache? But consciously I focused on peace, love, and respect. Any negative visualizations must pass by as glimpses, not to be focused on.

But even when a youngling stood less than two meters below me, it’s trunk reaching up for a leaf near my dangling foot, and was startled to find me there, spreading its ears out and stumbling back, the mothers that surrounded me stayed calm. A significant look here and there, a bit of a head shake, perhaps a raised trunk. We were sharing the space. I was granted a point on the plane. For a moment, even less than an elephant’s instant, I could feel like a part of the herd. As the sky became dim, they moved on. Their wind tunnel breathing and near-silent footsteps that were filling up my ears had grown distant the moment the matriarch pointed her trunk in the direction they had come from. Only two of the herd were nearby when she pointed, but as one they all departed. An ultrasonic rumble of the stomach was the real cue. The herd had moved on through the trees, but our mother remained there with me, locking eyes for an eternity. I raised my hand. She raised her trunk and went.

On assignment for The Conservation Music Project and Cross Okavango Delta Expedition. Follow @crossokavango and @intotheokavango for more stories like these.

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Reekelitsoe Molapo – Conservation Music

Africa Director

Reekelitsoe “Rex” Molapo is an accomplished and accoladed young entrepreneur. She’s versatile and multi-skilled; with training in research, entrepreneurship and African studies. She has worked and volunteered with organizations like Better SA, Global Business Roundtable, World Vision, US Embassy and EU Maseru; which equipped her with organizational, management, interpersonal and problem-solving skills. Rex is a Queen’s Young Leader, a YALI Alumnus, A One Young World Ambassador, Tony Elumelu Entrepreneaur, a Pitch at Palace Alumnus, and a UN Solutions Summit Innovator.